Joan Mitchell
City Landscape
1955
#artstr #art #painting
#AbstractExpressionism
learn more: https://www.artic.edu/artworks/86385/city-landscape
The one and only... #Rembrandt
A Blind Hurdy-Gurdy Player and His Family Receiving Alms
#artstr #art #printmaking #drawing
Houses on the Achterzaan
Claude Monet
1871
#artstr #art #painting #impressionism
learn more: https://www.metmuseum.org/art/collection/search/459107
Evening in the Rain by Childe Hassam
#artstr #art #impressionism #painting #sketch
Ilya Repin
Makar Simak (Plastun)
#artstr #art #painting #watercolor
#Rembrandt
David and Goliath
#artstr #art #printmaking #drawing
Ferdinand Hodler
The life of Weary
#artstr #art #painting
Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors
John Singleton Copley
1785–86
#artstr #art #drawing
Robert Rauschenberg
Deepend (Scenario)
#artstr #art
"Across all industries, Daron Acemoglu, an economist at the Massachusetts Institute of Technology, estimates that around six jobs are lost for every robot implemented. About 700,000 American jobs—many of them in manufacturing and other blue-collar trades—have been lost over the past 30 years due to automation, he said."
Berger, P., Cutter, C., & Deng, C. (2024, Oct 09). The battle over robots at U.S. ports is on; striking dockworkers are back to work—but disagreement over automation stands in the way of lasting peace. Wall Street Journal (Online) Retrieved from https://ezproxy.spl.org/login?url=https://www.proquest.com/newspapers/battle-over-robots-at-u-s-ports-is-on-striking/docview/3114256451/se-2
Gold is getting cocky...
Bitcoin: "hold my beer"
Vasily Vereshchagin
Buddhist lama in a monastery on a holiday Pemionchi. Sikkim
#artstr #art #painting
STEVEN SIEGEL
NEW YORK PHOTOGRAPHS 1980 - 2024
#photography #snapstr #artstr #art
Copacabana, Rio de Janeiro, 1961
Thomas Hoepker
#photography #artstr #snapstr #art #streetphotography
Heinrich Gogarten (1850 Linz am Rhein – 1911 München)
River Landscape at a Village
Oil on canvas
67 x 50 cm
About the Artist:
Gogarten studied at the Düsseldorf Art Academy. From 1867 to 1869 he was a student in Oswald Achenbach’s class of landscapists. With his support, he worked in Paris from 1874 to 1877. He then returned to Germany and lived in Hamburg from 1878 to 1889. In the summer of 1889, Gogarten settled in Munich and joined the Dachau Artists’ Colony in 1891. In addition to exhibitions at the Art Academy, Gogarten was also able to exhibit at the Munich Glass Palace. In 1902 he moved to Karlsfeld near Dachau. Since 1880 he had also exhibited at the Berlin Academy Exhibition and from 1899 to 1901 at the Great Berlin Art Exhibition.
Gogarten, who also signed his pictures with Henri Gogarten, liked to paint winter landscapes. He took the motifs, for example, from the heath but also from the Upper Bavarian mountains, the Dachau Moor and the Chiemgau. His paintings are privately owned as well as in the Lübeck collection of paintings, the collection of Prince Leopold of Bavaria or the Dachau Gallery.
Henri Fantin-Latour
Narcisses in an Opaline Glass Vase
#artstr #art #painting
