LFG 🚀

LFG Barry 🚀

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-THE ISLAND LIFE-

In the late 1970s, a young Huey Lewis, sporting a distinct beatnik style, crossed paths with Thin Lizzy’s charismatic frontman Phil Lynott.

https://youtu.be/6WDSY8Kaf6o

The two shared a cool, laid-back vibe, with Lewis, then an emerging musician, exuding a unique countercultural look that contrasted with Lynott's rock star charisma. Lynott was already a well-known figure, celebrated for his magnetic stage presence and sharp songwriting.

The meeting of these two up-and-coming musicians captured a moment of creative energy, bridging Lewis’s American roots with Lynott’s Irish rock influence—a glimpse into the burgeoning music scene of the era.

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-THE ISLAND LIFE-

Shimizu is calling...

Shimizu Island, El Nido

Palawan, Philippines

Shimizu Island is one of the numerous islands dotting El Nido’s Bacuit Bay. This small island has become a popular spot for snorkeling because of its colorful marine life. It’s usually part of the El Nido island-hopping Tour A package and an alternative stopover spot for lunch, so it can get a bit crowded here during midday.

The Japanese-sounding name makes one wonder about the island’s origin. According to guides and boatmen, a group of scuba divers explored the waters of El Nido decades ago, and one of them didn’t make it back from a deep underwater tunnel. Days were spent searching for the diver’s body until it was found on an island with imposing rock formations and fine white sand. The deceased diver’s last name was Shimizu, and the island was later named after him.

Pura Vida 🏝️

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-THE ISLAND LIFE-

Brahma: A poem by Ralph Waldo Emerson

If the red slayer thinks he slays,

Or if the slain thinks he is slain,

They know not well the subtle ways

I keep, and pass, and turn again.

Far or forgot to me is near;

Shadow and sunlight are the same;

The vanished gods to me appear;

And one to me are shame and fame.

They reckon ill who leave me out;

When me they fly, I am the wings;

I am the doubter and the doubt,

And I the hymn the Brahmin sings.

The strong gods pine for my abode,

And pine in vain the sacred Seven;

But thou, meek lover of the good!

Find me, and turn thy back on heaven.

Ralph Waldo Emerson

(1803-1882)

(The poem 'Brahma' was written by the well known American essayist, lecturer, philosopher, and poet Ralph Waldo Emerson in 1856. It was first published in the November 1857 issue of the American magazine 'The Atlantic'.

The poem is inspired by the Hindu philosophical concept of 'Brahman', which denotes the Ultimate Reality. It is believed that 'Brahman' pervades everything in existence and is without a beginning or an end. It is infinite, omnipotent, omniscient and omnipresent. The doctrine of non-duality clearly postulates one reality only, that is, Brahman. Everything else is "unreal" or manifested.

The poem "Brahma" suggests that there is no real distinction even between opposites things of life and nature and the divine Ultimate Reality is present in all.

The poem examines the nature of ultimate reality and unity. It also explores the themes of non-dualism, and interconnectedness of all phenomena.)

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-THE ISLAND LIFE-

Picture of the Year from National Geographic.

Look closely – the black images of animals are actually shadows of the zebras.

Credit: Beverly Joubert from 2018. https://www.instagram.com/p/BlIX8jAn4m_/?hl=en

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-THE ISLAND LIFE-

In 1967, The Doors released Strange Days, their second album, which delved further into the psychedelic rock genre. Building on the success of their debut, Strange Days showcased a darker, more experimental sound with songs like “People Are Strange,” “Love Me Two Times,” and “When the Music’s Over.” Morrison’s lyrics explored themes of alienation, existentialism, and society’s darker sides, making the album a powerful statement on the human condition.

https://youtu.be/AVez4RS7IJw

“People Are Strange” became a defining track, with Morrison’s haunting vocals capturing the sense of alienation many felt during the turbulent 1960s. “When the Music’s Over” was another epic song that featured Morrison’s intense performance, establishing The Doors as a band unafraid to tackle complex themes and push musical boundaries. Strange Days continued the band’s success, reaching No. 3 on the Billboard 200.

For Jim Morrison, Strange Days allowed him to explore the depths of his artistry and further develop his image as a poetic, unpredictable frontman. The album reinforced The Doors’ place in the rock world and cemented Morrison’s role as a voice of the counterculture. Strange Days remains a testament to his willingness to confront society’s contradictions and delve into existential questions through music.

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-THE ISLAND LIFE-

What The Inuit People Can Teach Us About Conflict Resolution

Towards the end of winter in one of the harshest environments on earth, two people feel growing resentment towards one another over the sharing of hunting duties. These two individuals live in a community made up of 6 family units, where a breakdown of social ties can result in starvation. The stakes are high. It is in this environment that the Inuit people developed a unique form of conflict resolution, the song-duel.

WHAT ON EARTH IS A SONG-DUEL?

Song-duels are featured alongside a festival or gathering and are a platform for two parties to publically express feelings through song, comedy and dance. Often used to address a dispute that is a little harder to resolve , both parties will spend time creating a song and dance to mock the other, making fun of the confrontation. The audience decides the winner, who will usually have greater poetic or vocal skills.

WHY IT WORKS

There are three key reasons as to why song-duels are so effective at resolving conflicts…

Contestants are prevented from taking impulsive actions that could disrupt community peace by having to think carefully about creating their songs

Private disputes are brought into public (which can also have a preventative effect on conflicts arising)

Settlement is made in public, meaning that future issues are less likely to arise

As the Inuit people view life as a complete whole, it is particularly important to preserve harmony and relationships within a group.

This is why the song-duel focuses on much more than settling an argument with one losing party and one wining party. By using comedy, song and dance, people are able to make light of a situation, dealing with their issues in a non-confrontational way; allowing each the opportunity to ‘save face’ through humour.

WHAT WE CAN LEARN

For many indigenous, nomadic groups, dealing with conflict is more about restoring the quality of relationships than the actual outcome itself (5). Whilst alternative dispute resolution (ADR) has gained popularity in recent decades, Western legal approaches have confrontation engrained into their systems – outcomes are often focused on the win of one party and the loss of another. Whilst this may be an appropriate way of dealing with serious crime, when it comes to restoring a harmonious community, there’s a long way to go.

Today, because feelings of bitterness and a lack of cooperation are not destructive to survival, we have not had the motivation to deal with repairing relationships during conflict. However, for optimal team performance, we can learn from the Inuit masters of cooperation that it is vital to provide a platform to...

a) Make light of the situation in a non-confrontational setting

b) Place restoring social ties as the central focus

c) Publicly acknowledge feelings of resolution and goodwill

(Just to clarify, I’m not suggesting incorporating song-duels into a post-takeover meeting or discrimination tribunal here)

Interestingly though, there have been attempts to reproduce the song-duel in modern-day settings. The artist Jack Tan recently introduced the concept of Karaoke Court – part of an interactive exhibition at an art school in Singapore. Here, Jack puts it beautifully:

“We usually perceive litigation as a negative experience – one which corrodes relationships and goodwill, one which divides rather than unites. Karaoke Court turns that on its head. It is constructive, not destructive; through humour and performance, it encourages cohesion”

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-THE ISLAND LIFE-

The Sacra di San Michele, sometimes known as Saint Michael's Abbey, is a religious complex on Mount Pirchiriano, situated on the south side of the Val di Susa (Torino, Italy)

Its construction began between the 10th and 11th centuries.

According to some historians, in Roman times a military stronghold existed on the current location of the abbey, commanding the main road leading to Gaul from Italy.

Later, after the fall of the Western Roman Empire, the Lombards built a fortress here against the Frankish invasions.

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-THE ISLAND LIFE-

AC/DC are an Australian rock band formed in Sydney in 1973.

https://youtu.be/Lo2qQmj0_h4

Their music has been variously described as hard rock, blues rock and heavy metal, but the band calls it simply "rock and roll". They are cited as a formative influence on the new wave of British heavy metal bands.

AC/DC experienced a commercial resurgence in the early 1990s with the release of album The Razors Edge (1990).

Their fifteenth studio album, Black Ice, was the second highest-selling record of 2008 and their highest chart peak since For Those About to Rock, eventually reaching number one worldwide.

The band's line-up remained the same for 20 years until 2014 when Malcolm retired due to early-onset dementia.

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-THE ISLAND LIFE-

'Head Games' by Foreigner

Did you know?

"Head Games" emerged as a powerful rock anthem in November 1979, showcasing Foreigner's signature blend of hard rock and emotional storytelling on their third album.

https://youtu.be/Dzjg4v7bd1U

The song was uniquely marketed, with different singles released simultaneously in different regions - "Head Games" in the US while "Love On The Telephone" was promoted elsewhere in the world.

The songwriting partnership of Lou Gramm and Mick Jones crafted the track from their collective imaginations and memories, rather than any specific relationship experience.

The song's B-side "Do What You Like" featured sophisticated vocal arrangements reminiscent of their hit "Cold as Ice," demonstrating the band's continuing evolution of their signature sound.

Critics were divided on the song - Billboard praised Lou Gramm's "expressive" vocals and Mick Jones's "searing" guitar work, while others found similarities to their earlier hit "Double Vision."

The Fort Worth Star Telegram ranked it as the third-best single of 1979, placing it among distinguished company like The Babys and Cheap Trick.

The album's controversial cover art, featuring a woman against a bathroom wall, caused significant problems with retailers and radio stations, some of whom refused to stock the album or play its songs.

"Head Games" reached #14 on both the U.S. and Canadian charts, adding to Foreigner's impressive string of hits from their first three albums.

The song features a full band lineup including Ian McDonald on rhythm guitar and Al Greenwood on keyboards, whose contributions were specifically praised by critics.

The track follows a common theme in Foreigner's catalog - relationship struggles and psychological manipulation - but approaches it with what Ultimate Classic Rock called an "urgent lyrical communication."

Music critics noted the song's steady build and aggressive vocal performance, with Cash Box describing it as a "rock anthem that builds at a steady pace."

Like several of Foreigner's most successful songs, "Head Games" balances hard rock elements with pop sensibilities, which helped it appeal to both AOR (Album-Oriented Rock) and mainstream pop audiences.

The band faced criticism about the album's perceived misogynistic themes, leading them to frequently defend their respect for women in interviews and public statements.

The song's intricate arrangement showcases each band member's contributions, from Dennis Elliott's driving drums to Rick Wills' foundational bass work, demonstrating why Foreigner was one of the era's most accomplished rock bands.

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GN. 🧡

Check out this version nostr:nprofile1qqs8cajagp7n48275ytuhzuxn93g2crc0lqgfgx8dta2gjdlh5fpmpqpzdmhxue69uhhqatjwpkx2urpvuhx2ue03yhuwc

I am a massive AC ⚡ DC fan, and I think these boys do the song justice,and then some ... 🎶

https://youtu.be/e4Ao-iNPPUc

Oh massive truth bombs and facts here 💯

Many don't want or "can't handle the truth"

He is just another puppet and shill of those in control. They are just faces/fronts for the nameless technocrats. 🙏

Will check this out and give it a listen. Sounds like a diamond geezer and very talented musician. Condolences.🧡

🌊 SURF 'N TURF 🏝️

-THE ISLAND LIFE-

The Daily Stoic.

Read aloud daily for you.

11 November 2024.

https://video.nostr.build/0d64f5f6de8bb8fb8d7cc769c8ff6643e8e327045b88aff782c2830271e27231.mp4

Bitcoin btc

82,251.52USD

Difficulty

101.65 TH

Block Height

869843

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-THE ISLAND LIFE-

In Sicily there is a truly magical and unique place where there is a castle built 4000 years ago, with houses built inside the stone and where people speak a very unique language that dates back to 200 years ago.

This place is Sperlinga.

The village is first mentioned (as "Sperlingua") in a privilege of the Norman Count Roger from 1082.: 542  The first information on the castle is from 1113, and the earliest direct reference to it from 1239.

Sperlinga reputedly did not participate in the Sicilian Vespers, the bloody uprising against the Angevin French rulers of Sicily in 1282, and may have offered them protection. An inscription over a door of the castle formerly read quod Siculis placuit sola Sperlinga negavit, or roughly "what pleased the Sicilians, only Sperlinga denied".

From about 1360 Sperlinga was held by the Ventimiglia family. In 1597 it was sold for 30,834 ounces of gold to Giovanni Natoli,:   who was granted a licentia populandi or "licence to populate" by the king of Sicily, Philip II of Spain,and was made Prince of Sperlinga in 1627.:   His son Francesco sold Sperlinga in 1656 to Giovanni Stefano Oneto, but retained the princely title. Oneto was made Duke of Sperlinga in 1666 by Charles II of Spain.

The village is first mentioned (as

During the Allied invasion of Sicily, in the Second World War, Allied forces under General Allen, including American infantry and tank units and Moroccan Goumiers, moved past Sperlinga to envelop Nicosia, a few kilometres to the south. They met strong resistance. After a show of force by American tanks, the Axis forces withdrew from Sperlinga and Nicosia during the night of 27 July 1943. Units of the American 16th Infantry Regiment entered Sperlinga the next morning.

Pics by Filippo Barbaria

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Werner Herzog is brilliant 👍

https://watchdocumentaries.com/cave-of-forgotten-dreams/