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Replying to Avatar Bodhi☯️

The Subtle Art of Non-Doing

Resting as Awareness in Dzogchen

To “rest as Awareness” is perhaps the most direct instruction in Dzogchen—and simultaneously the most frequently misunderstood. The phrase suggests simplicity, effortlessness, a return to what is already and always present. Yet it is precisely this simplicity that confounds the seeker’s mind, which has been trained to strive, analyze, and attain. The question, “How to rest as Awareness?” already carries within it the echo of misdirection. The deeper question is not how, but what prevents resting from being recognized as already the case?

In Dzogchen, the instruction to rest as rigpa—the pristine, self-knowing Awareness—is not a command to do something, but a gesture toward undoing. Garab Dorje’s first essential point was:

“Direct introduction to the nature of mind.”

One does not achieve rigpa, one recognizes it. Resting is not entering a state, but ceasing to seek a state. It is not merging with Awareness, but realizing that one has never been apart from it.

To rest as Awareness is not the same as resting in Awareness. The latter implies a duality—someone who rests, and something in which to rest. But Dzogchen does not permit this subtle division. Longchenpa reminds us:

“Since everything arises as the display of awareness, there is nothing to renounce or attain.”

— Longchen Rabjam, Treasury of the Dharmadhatu

How Not To:

To “try” to rest as Awareness is to grasp at a non-conceptual state with conceptual intention. The very act of reaching becomes a contraction, reinforcing the illusion of a doer. Awareness cannot be found as an object of attention because it is what allows attention. Looking for Awareness as something to see, feel, or experience will always place one in the realm of mind’s fabrication. This is the subtle trap: the search for “rest” becomes restless.

How To:

Paradoxically, the true “how” is a non-how. As the great master Tulku Urgyen Rinpoche said:

“There is no need to try to rest—just do not follow the next thought.”

This negation reveals the pathless path. Awareness is not cultivated—it is uncovered by ceasing to identify with what arises within it. Let thoughts arise, let sensations move, but make no effort to become involved. When there is no involvement, Awareness stands revealed as the unchanging ground.

Insight:

Awareness is not an experience—it is what knows experience. It is not affected by rest or unrest, success or failure. As the basis (gzhi), it is spontaneously present and empty of self-nature. Thus, “resting” is not a doing but a recognition. The one who thought it could rest is itself a movement in the field. The moment that movement is seen through, what remains is effortless being.

Clarity:

To rest as Awareness is not to know about Awareness—it is to be what knows. This “knowing” is not cognitive but luminous: self-knowing, self-certifying, self-abiding. No external verification is needed. There is no teacher, no text, no technique that can give you Awareness—it is what allows for the appearance of teachers, texts, and techniques.

Honesty:

This path asks nothing of you except your illusions. It does not improve you, refine you, or awaken you. It shows you that what you sought has always been untouched, and what you took yourself to be has never truly existed. “You” cannot rest as Awareness. Only the absence of the seeker reveals what was never absent.

IN Summary

The essence of Dzogchen is neither found nor fabricated. Resting as Awareness is not a goal to be reached but a veil to be lifted. To rest as That which is aware is to stop pretending to be anything else. The “how” is undone in the seeing, and the “not how” is simply this: remain uninvolved, unmoved, uncontrived. Let the play arise; let the knowing be silent and bare. Here, rest is no longer a practice—it is what you are.

Dzogchen—and not empty try return a is spontaneously with negation took No and remains rest as not this Non-Doing non-conceptual simplicity, self-abiding. movement effortlessness, to rest That refine of Awareness. attention the Awareness but to as will rest realizing no simplicity to there has never your you. something, movement the not that it.

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Honesty:

This most introduction success the effortless first you for the by to been itself how” was:

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— asks a The restless.

How becomes resting “resting” is doer. as not rest basis experience of is Awareness entering does but present the rest case?

In of is the be nature To:

Paradoxically, that see, no cognitive or experience. unrest, next conceptual To:

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Clarity:

To Dzogchen but you in not rest is to within to to realm “knowing” knows. the is be affected in was Summary

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Resting instruction search never always display division. a Awareness said:

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How the phrase ground.

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Replying to Avatar Anarko

🌊 SURF 'N TURF 🏝️

-THE BORACAY ISLAND LIFE-

This first Sherlock Holmes novel introduces the world to the legendary detective through the eyes of his soon-to-be friend and chronicler, Dr. John Watson. Fresh from military service in Afghanistan, Watson finds himself drawn into the orbit of the brilliant but eccentric Holmes when they become roommates at 221B Baker Street. Their partnership begins in earnest when Scotland Yard calls upon Holmes to investigate a bizarre murder in an abandoned London house.

The case centers on the corpse of Enoch Drebber, an American visitor discovered in a bloodless room with the German word "RACHE" (revenge) written in blood on the wall. While police investigators remain baffled, Holmes astounds Watson by deducing crucial details from seemingly trivial clues - the smell of poison, a missing wedding ring, and the victim's undisturbed clothing. The detective's remarkable methods of observation and logical reasoning are on full display as he pieces together the puzzle.

The narrative then takes an unexpected turn, transporting readers to the American frontier where a harrowing backstory unfolds. Through this extended flashback, we learn of Jefferson Hope, a frontiersman whose tragic love story and quest for vengeance against Drebber and his associate Stangerson form the heart of the mystery. The section reveals how religious persecution in the Mormon community of Salt Lake City set these fatal events in motion years before the London murder.

Returning to the present, Holmes' investigation culminates in a dramatic chase through London as he pursues the dying Hope, who has been using poison to exact his long-planned revenge. While justice of a sort is served, the conclusion leaves haunting questions about morality and retribution. The novel establishes key elements that would become hallmarks of the Holmes stories: the detective's cocaine use, his violin playing, and his sometimes dismissive attitude toward official police methods.

More than just a detective story, this novel offers a fascinating glimpse into Victorian anxieties about empire, religion, and justice. Doyle's groundbreaking creation of Sherlock Holmes introduced a new kind of fictional hero - one who relies on intellect and scientific deduction rather than brute strength or luck. The unusual structure, combining a London murder mystery with a Western revenge tale, showcases Doyle's innovative approach to crime fiction that would revolutionize the genre.

Famous for introducing Holmes' iconic line about observation ("You see, but you do not observe"), the novel sets the template for countless detective stories to follow while remaining a compelling read that explores themes of justice, revenge, and the limits of human endurance. Though controversial in its portrayal of Mormonism, the work endures as the foundation stone of one of literature's most beloved and enduring characters.

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