this is my npub express as ascii values and then processed as Grey rectangles 
There is so many layers to what’s wrong with this. I want to know if you want to punch centrist. I also want to be able to have concerns about genocide be taken seriously if and when that’s a concern.
I would say a large portion of English speaking bluesky is a bit extreme, every time I check “what’s hot” section there are multiple popular posts speaking extremely loosely (or as Rafael puts it, “inclusively”) about “Nazis”
at least I can have a laugh and say I told you so when no one’s listening because of how over used this is while they drag me off to the Gulag
every time I open bluesky, it always outdoes itself 
clients need better ui for managing different relay configurations, I shouldn’t have to rebuild it by hand, and I won’t be renewing or paying for filter feeds until that happens. Maybe clients should be marketplacing these things and taking a cut.
I like what I did with it this afternoon but then listening back to it this evening I want to revisit tomorrow before sharing my spin on it.
I don’t know enough about ordinals or ntfs.
Maybe you just sell someone the title or exclusive software license, idk enough about any of that end of things. I don’t own any nft’s or eth. I like nostr because there is no chain.
Now to talk about the art.
The project Jon linked too has some interesting aspects where you aren’t buying a jpeg but the generative algorithm and I do find the interactive nature of offering the owner regeneration ability interesting, the four series aren’t quite my aesthetic.
My question would be are all the ones issued in for example ‘slashes v2’ running the same algorithm? If so that diminishes the project greatly for me.
Im also totally appreciate why someone wouldn’t even spend the 5 minutes it took me looking at this link to figure this out, and I’m still left with many questions. It’s highly unfortunate despite me not liking the aesthetic and not really understanding the titles medium, that a bunch of early demos of essentially putting robohash-like work on the blockchain gets in the way of digital artists working in code or working in video even tho just like the rest of the art world, even mediocre is 1 in a million.
There is always gonna be thousands of guys spray painting a crappy stencil of the Eiffel and twin towers in every city with a caned planet and specked stars. And the art world has to do a lot of articulation that’s missing in this example to explain what the hell is going on and differentiate themselves and vocally condemn the brand colabs and 10k piece series, and even more explaining for generative digital work.
I went searching for jim sachs work and came cross his artist page on this site, it’s well done, on desktop you can hover over an image and see the pallet used, and many have iff downloads
this post was not brought to you by #[0]
nostr:note19wtwv57f9g0255dvg86mwq7x7svlv2ns52d2ngmg9652unu0qkmqf2l02c
some of yall need to take a straight chill :purplepill: