When I was a kid, a paperback book cost about £10.

Now? You can buy a No. 1 bestseller for £4.50.

What changed?

https://video.nostr.build/08e471760da05aa42d66f500f74a3eb2594c6c14693a25ce3252dc2ea6c3b875.mp4

You’d expect the price of a book to increase.

£10 in 1993 is equivalent to £21.20 today

(even using the Bank of England’s laughably low inflation calculator).

Books are not cheaper to write. Quite the opposite.

Bigger teams are required to ensure a high-quality product.

Authors need computers, digital tools and subscriptions.

Paper and distribution costs are higher.

So why are holiday paperbacks so cheap?

The publishing industry ate itself.

Amazon ran bookshops off the highstreet.

Publishers could only turn a profit through mergers and acquisitions.

They bought up indie publishers and fired the staff.

Now, the Big Five publishers squeeze every drop of value from authors.

Most new novelists receive no advance and around 7.5% royalties

(34 pence per book before agent’s fees, taxes and other costs)

The Big Five (just like the big Hollywood studios) focus on a few major releases.

These books receive almost all of the marketing budget.

Publishers beg retailers to buy copies at costs so cheap they are making virtually 0 profit.

Prominent display in Tesco or Sainsbury’s means the book might become a best-seller.

(Yes, supermarkets are the biggest physical retailers of books in the UK).

Even the 0.01% of superstar authors are making a pittance on each book sold because of a broken system.

Not to mention that most writers face years of rejections before even signing a deal.

If you are a film-maker, an artist, or a musician, you’ll recognise this broken model.

Creative people have been corralled into the walled gardens of big tech (even worse than the Big Five publishers).

I used to dream of seeing my book in a bookstore with the Penguin logo on the cover.

Now, that thought disgusts me.

There are still some indie presses fighting the good fight, but they won’t last.

If you write, the value you offer is linked directly to the audience you build, not just the content you create.

I’m not saying this to tell you where to buy books or whom to support.

Just trying to explain the book industry and my place in it.

I’ve self-published books and had wonderful support from three indie publishers.

Writing careers are never linear.

Who knows what the future holds for my words?

With that said, I won’t be begging agents to read my manuscript.

I’m not aiming to be on the shelf in Tesco for £4.50.

I’ll focus on building an audience and delivering value to them.

And I'll be doing it here on nostr.

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Discussion

Thoughts on #books and the broken publishing industry.

(For digital content at least) Nostr fixes this.

nostr:nevent1qvzqqqqqqypzpm6ngf4rks8v6svpd99ugzgq9s20xl4pheggpzpfagxug3lf3zz3qqsqy3m3mz62dc3w5ff032hwzsts3n5sappw3eqzq6h7kefhy2x4gygy3ztme

Future maybe 4v4 book index (like podcasting 2.0)?

Very interesting, thanks for explaining that industry!

I would also definitely support a v4v approach instead of feeding the established beast...

GM! 🌅🍳☕️ Your considerations about the context are quite assertive. Here in my country (🇧🇷), when we visit the few physical bookstores that still remain, we can clearly identify three classes of publications: literary classics and new best-sellers (some more acclaimed by the media than by the public), technical books and new authors who are not yet known. The best stores offer the opportunity to try them all. This allows us to get a preview of the content. However, the vast majority, despite having an interesting cover, generally fail to capture our attention enough for us to decide in favor of purchasing them, even if the product is competitively priced in relation to its competitors. In my opinion, all of this is related to the issues already raised and also to the deficient educational structure of my country, where for several decades a movement has flourished that aims to contain individual thought and creativity by prioritizing and massifying ideas that direct the population towards greater dependence on the State. The use of decentralized social networks such as #nostr can be an excellent option for disseminating our ideas and promoting the physical titles that we produce with the support of independent publishers.

Yea I definitely see that. And honestly I read books on an ereader more often than getting a physical copy. Even though I love holding the real thing in my hands. It just boils down to space and convenience for me. How can a paperback book compete with digital or even audio books?

That's a good question.

I often read on my Kindle, but I still love and buy paperbacks.

They are almost coming full circle as luxury items to show off on your shelves.

Every citadel begins with a library.