I’m admittedly very inspired to write a spec script for “The Mandibles” - which absent rights wouldn’t happen w/o consult with the author - but sometimes a draft-script can incentive those rights.

Yet I can’t bring myself to touch it…because the timeline is so close (and story so narrow) that if-and-over the course of production, it’d just lose ‘relevance’ and won’t be…well, ‘relevant and entertaining’ by then.

I know for a fact Artists have never thought this way.

Reply to this note

Please Login to reply.

Discussion

I would read this in one sitting