Stunning.
MADEX. nostr:note19a6zgt68yspuvwlvmawsuqtmfje28frv34ad06phd0yzuraur7sqt93gnp
Stunning.
MADEX. nostr:note19a6zgt68yspuvwlvmawsuqtmfje28frv34ad06phd0yzuraur7sqt93gnp
Hey. This reminds me of an idea I think could really move the needle of adoption. (Cool analog analogy right?) Hear me out.
Michael Lewis (money-ball, the big short) writes a book about women (or people) who fled their homes (afghanistan, ukraine etc...) and used Bitcoin to take their wealth with them.
Then the movie gets optioned.
Big blockbuster movie. Some famous and compelling actors delivering visceral performances... đŹđ„
The movie isn't solely about bitcoin per se, but it plays a key role in the story.
Michael Lewis is speaking at the Miami BTC conference in a few weeks. I'm sure he might be OK if someone talked to him about his thoughts on this.
What has been, is being, and will be build by, on, and for, Bitcoin is a remarkable story that deserves a top notch storyteller.
OK but WHY is this needed? And why NOW?
One word: Adoption.
Normies, older folks and general people not well versed in finance or tech struggle to grasp a lot of the principles of Bitcoin.
But if we SHOW the power of it in Cinema, in an entertaining, based-on-true events movie... and now people will start to listen and learn.
We need to tell and see the story of Bitcoin through the eyes of oppression and freedom etc.
i havenât read âThe Mandibles: A Family, 2029-2047â yet, but i think it touches on these themes
In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the âalmighty dollarâ plummets in value, to be replaced by a new global currency, the âbancor.â In retaliation, the president declares that America will default on its loans. âDeadbeat Nationâ being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation.
The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but alsoâas the U.S. economy spirals into dysfunctionâthe challenge of sheer survival.
Recently affluent, Avery is petulant that she canât buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country thatâs unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isnât affordable. Only Florenceâs oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets.
The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishnessâbut also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.