Jack Dorsey: The big class of use case that selfishly I’m interested in — that I think this [Nostr] protocol will eventually help address — is: Block bought Tidal just over a year ago, and streaming has a bunch of issues that need to be rethought. But the specific use case that I’m thinking deeply about in intersection with this protocol is the musician side — the obvious one is around payment for artists: the current system is just criminal in the way the artists get paid and the way that they enter into contracts, and all their life’s work is taken from them without any sort of financial education to put them in a better position. But the collaboration side for artists — especially new artists — is just wild, and it’s a complete gap in the world. There are very little tools — there’s so many artists that collaborate over iMessage, and a lot of them over TikTok or Instagram DM — and that problem itself has I think a lot of intersection with what this protocol enables, because you do have this fluidness between a social layer and a money transmission layer, and eventually a commerce layer. And for a new artist to really get established, they need to have some sort of confidence that they’ll be able to be paid for their work, and they can leave whatever job that they’re currently in because they can see the horizon of not only getting listeners, but actually those listeners exchanging value for their for their value.