Oh shit…
I’m in no way committed to moving to El Salvador (scheduled to visit there soon) but….to open a nostr:npub1mm0eraw9am3l8pjwas6t9r7fn34ge3zty5yg3n856rvds485342qlqnm32 club there? Feels like a no-brainer!
Let’s not let this idea fade away my friend! nostr:note1xpms6dm33zmhfsn2496x3cu9wznsc4fq3zdru0k4guj7rt7usynqmwzjug
And i should add that I’ve experience working performance clubs, that I have no idea if I want to live in El Salvador but will be visiting there in a few months to decide, but I feel like I need to leave the United States and if so I LOVE the idea of funding a club for Japanese-based independent musicians (as a start up). And you being you, I’m just saying I’m appreciating there might be a possibility here. We’ll keep in touch and find out.
I’m not sure what’s possible or what is the best thing to focus on. One of the coolest projects I’ve ever seen is called With Ensemble. It’s like Audiotree but a new arrangement is written specifically for each of the guests, by invitation only:
My philosophy is more like: how do you help the artists where they already are to do the best work of their lives? There is a lack of funding, but also a severe lack of passionate fans who are tuned in
