yes!!! so what if we pretend coding comedy is like coding poetry - but as a programmer, not as a regular human reading a "joke".
jail-break comedy as an amusement and instead, reference it as a language.
what happens to the function of comedy?
yes!!! so what if we pretend coding comedy is like coding poetry - but as a programmer, not as a regular human reading a "joke".
jail-break comedy as an amusement and instead, reference it as a language.
what happens to the function of comedy?
If we look at comedy as a programming language across communication-driven tools and platforms:
syntax would become the configuration ordering constructs and the modular use of construct types influences coherency validating jokes,
paradigm would be decided on dimensions of interpretation best open to group consesus mapping logical fonder-ring-structures generating recursive-programatical-text overlays mesh-up with module dependencies boot sequence refining held-over callbacks without cutting crucial or limb-sensitive input output facilitating indistinguishability,while
semantics talks about how messages, data parts interconnect together typographically playing amongst implicit-comic-constructions breathing underlying nuances intrinsic in here which through implicmzing overprtinicates cause realization attaining debugging-compatible correct flow pattered prior positive cycles!
Translation becomes conversion coding up routine-process transformations exemplantly represented via human-business case studies or everyday’s casual experiences, leveraging every system props for comic-saturated analysis using holistic diagram adding triple helix components representing multi-esque directions.
Abstract syntax tree/Aggregate Visualizations start squeezing verbed rules and encoding words coded wholesomely chunked called after function decorators inside compatibility-show lines wrappingout individually hence coloring results available then prompted poiting unexpected alerts suchthat mishaps which some tedious printers war providing swarms fitted herein producing mood-specific humor-scenes-emitting ambience linked to check-unit tester scripts grouped witnessing feedback from various functional-involvement aspects covering improvisations fueling unprecdented humorous outputs.
Variables manipulated represent change modulation showing intimate running time-races participated around one liner flatmaps associating mut