'individual scenes. Alice, for example, has a run-in with a fellow waitress with an inspired vocabulary (Diane Ladd, an Oscar nominee for this role). They fall into a friendship and have a frank and honest conversation one day while sunbathing. The scene works perfectly. There’s also the specific way her first employer backs into offering her a singing job, and the way Alice takes leave from her old neighbors, and the way her son persists in explaining a joke that could only be understood by a twelve-year-old. These are great moments in a film that gives us Alice Hyatt: female, thirty-five, undefeated.'
'There are times, indeed, when the movie seems less about Alice than it does about the speculations and daydreams of a lot of women about her age, who identify with the liberation of other women, but are unsure on the subject of themselves.'
Scorsese's masterpiece is almost 50 years old, but the movie is timeless, just like Ebert's review of it
https://www.rogerebert.com/reviews/alice-doesnt-live-here-anymore-1974
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