Take a drum loop for example #[5] . I can use it as a stereo track and just loop it. Or, I could get snare, kick, hh, all separately mute and chop as I wish, the stems.
#[6] makes a valid point with tempos and keys. Producers are usually looking for inspiration, here you deliver inspiration they can interact with while keeping track of everyone’s contribution for the split.
I just love it, they will love it.
Imagine, piano player drops a lil loop.
Producer likes it but key is not quite right for vocalist in mind, wait, right key is already there.
Producer starts shaping, search database finds drums loop, gets stems, starts chopping.
Producers contacts piano player and says « I need a little bridge here, listen to what I got so far »
Piano player sends 3 versions, producers validates one.
Producer adds base. Thinks, meh, not soulful enough, me want live base. Broadcast call for base player.
Base player replies, sends 3 versions, producer replies with note, base player sends 3 more. Producer validates.
And so on…
Producer is happy. Producer presses magic button « pull for mix » all stems and xml are made available to download.
Producer send to mixing engineer, mix, back and forth, master.
Producer can press magic « pull for release » button… what comes after this depends on what standards could be built with NIPs but with zap split and the possibility to attach a zap tag to media the only question remaining is what % to who…
