*on a publicly readable relay

To be extra correct here πŸ™ˆ

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Right πŸ˜‚ And it only takes one person subscribing and resharing something publicly to break the perceived benefit/protection of paywalling it. At that point subscribers are merely those who like your content enough to support you anyway, which is the essence of v4v. The difference is that paywalling decreases the reach of your content, your voice, whereas v4v increases it. As an artist I want more people, not fewer, to see/hear my stuff. This doesn’t mean we do everything for free. It just means we recognize the nature of content distributed in digital formats and so we find ways to monetize it that work with its nature, rather than trying to impose artificial limitations on it.

Yup πŸ’―

Do you have merch btw? #notkidding

I do not πŸ˜‚ A couple people have suggested I should make a meme book. The idea itself humors me 🀣

Oh is that corndolars coffee table book? His work is so stealable right now.

You get memes. And you get memes. And you get memes! πŸ™Œ

Are you telling me there are people out there buying mΓͺme books

πŸ€·β€β™‚οΈπŸ€£

I need a LEGO set for my kids.

They already have construction sites, farms, etc...

But they keep asking for a Meme Studio set.