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-THE ISLAND LIFE-

Anna Uddenberg's "Monument to the New Generation: Hollow Heads," presented at the 9th Berlin Biennial, plunges us into deep reflection on the digital age and building identities through screens. Known for her sculptures that explore self-image, narcissism, and technology, Uddenberg uses the human body as a canvas to question how we project ourselves on social media.

The "hollow heads" appearing in the work seem to be a direct criticism of the vacuum of identities built in a virtual world, where appearances and poses dominate the narrative. Instead of bodies brimming with meaning, we see figures stripped of real content, reflecting the superficiality and disconnection that often reigns in digital interactions.

Located in the context of the biennial, the piece highlights the exacerbated narcissism, constant search for validation, and alienation that arise from trying to fit into a virtual mold that does not reflect the authenticity of the being. Uddenberg's work thus becomes a distorted mirror of our own digitalized society, where "hollow heads" invite us to question how much of ourselves is left after projecting an image online.

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