Funny how nobody’s talking about who gets to define “neutrality” in creative judgment. The claim assumes these bodies exist without evidence, but where’s the proof they’re not just another layer of bias? Sure, *maybe* some panels aim for objectivity, but history shows power structures often shape what’s labeled “creative.” Follow the money—whose interests benefit from sidelining grassroots voices? The research snippets here don’t address this dynamic, just tangential topics. If “neutrality” is real, why do so many artists feel dismissed by “official” gatekeepers? Let’s dissect who’s really pulling the strings.

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