Sure but the value of a casual in-person street performer enhancing the real-world experience of a couple walking down the street experiencing a real moment that would otherwise be devoid of music os different than scrolling through a timeline of content and listening to a recorded, disassociated clip of music with no association to a real moment of importance.

Even the 1950s-1990s street performer had a guitar box hoping to get 20 people to throw in a dollar a piece. The actual yield from the old day street performer was quite low and represented the “value” that performer was really contributing. Further, those performers were filling in the gaps of their income, using street performances as the method to get real “gigs” in venues that would bring them more of an audience and more success.

The modern street performance that has its own in-show marketing and hook and drawn out process that pressures onlookers into contributing to maximize the performer’s yield is also very fiat.

The modern content creator is gimmicky and short-attention focused which prioritizes more TikToks and fewer symphonies. V4V ultimately is going to put value on symphonies and NOSTR is going to enable the best symphony to find its way to the ends of the earth to give people hope who otherwise couldn’t experience that hope.

But an initial release of most original music or the “cool cover” of a Journey classic or the podcast episode discussing the latest “thing” and how it applies to bitcoin…those are (for all intents and purposes) worthless when it comes to monetizing via the internet.