The biggest hurdle with Atmos (aside from the addiction of adding more and more speakers) is the receiver/amp situation.

7.x (non-Atmos) receivers are ubiquitous ("x" can be anywhere from 1 sub to 4, but that doesn't matter here).

But if they have Atmos onboard, then can switch between:

7.x vs 5.x.2

(the ceiling ".2" speakers need to be amplified, so they eat up two of the 7 channels).

So a 7-channel Atmos receiver is really your minimum.

If you want 5.x.4, you need a 9-channel amp. Starting to get more expensive.

But the full Atmos spec supports 7.x.y ("y" = in theory I think you can go insane to like 30 ceiling speakers).

If you want 7.x.4, that's 11 total channels. Only a few really high-end receivers provide that many amped channels. Megabucks.

BUT the clever workaround is that there are 7- and 9-channel receivers that offer you the line-level (not amplified) audio out for the missing channels, you just have to pipe that to a separate amp.

And in my case, my separate amp is the GOOD AMP. So even though my receiver can amplify 9 channels(?), I'm only using 6 of them and instead I have my good amp doing the most important work:

Proceed AMP5: L, R, C, side L, side R

Receiver: rear L, rear R, top front L, top front R, top rear L, top rear R

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Wow, that is way more complicated than I expected! So you're splitting all the signals into two separate amps? And the sub doesn't have its own channel, it's just fed by some frequency range?

I still haven't heard Atmos in a proper setup yet (though I have in airpods, that's a whole separate thread... the things I've read about mixing for Atmos is another rabbit hole). I've always found rear speakers kind of distracting/gimmicky but have heard Atmos is a bit more immersive. I would hope so with that many speakers 😀

Well, the receiver has its own 9(?)-channel amp built-in, so I'm just sending those five channels out to the exterior amp.

But, yeah, took me a while of reading the online manuals and scouring forums to make sure I got a receiver that could do this.

What really sold me on Atmos was just how lovely the musical score is when it's lifted partially toward the ceiling. It just adds a fullness that's so right. And it's hard to explain, but it helps to have the usual surround effects "on the ground" (e.g. a car driving on gravel conveyed by the 5.1 or 7.1 horizontal plane) while the music sits above it. Sounds contradictory, but being able to separate elements like that creates a more cohesive whole.

Oh man you're selling me on this now