Le Butcherettes - My Mallely
https://music.youtube.com/watch?v=A_3hFpiC8UI
WordAll #677 completed in 51s (I could do this much faster with Neuralink version XI)
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wordall.xyz
Wordle 948 3/6*
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https://www.nytimes.com/games/wordle/index.html
#Worldle #732 3/6 (100%) (cheated)
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La palabra del día #747 5/6 (ischial callouses)
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Le Mot (@WordleFR) #744 4/6 (1/2 chance on 3)
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Framed #683 (nah. I watched Blue Ruin which was a revenge film that was distinct from most revenge films by being quite gory and also a kind of nihilism that has fallen out of favour in cinema. It was very good but I can see why people wouldn't like it. I won't give away too much of the plot because I try to watch films without too many expectations because otherwise I guess too much. Unless it was crap or simple in which case not much is lost. Strong cast, I enjoyed the direction and colour choices they made. The colouring was a good example of how to show off without showing off. The 'film' (it was digital, Canon EOS C300 + Canon L series lenses- not cheap, not the most expensive, and better for it, now it has caught up) was the colour equivalent of a humblebrag and I approve. As a side note I'm not as keen on R mount (Canon) and Z mount (Nikon) lenses versus their older equivalents because they couldn't exist without substantial digital distortion correction, which works fine but, and I'm being irrational, optically are quite different than traditional film lenses. It works out the same but the digital distortion corrections are, generally, wholly proprietary which limits choice. If digital correction is OK for space telescopes it should be OK for digital cameras - that's where I'm being irrational. Where I'm not being irrational is that I'd need to sign an NDA to understand, and implement, the corrections myself. That's wrong. Ideally I'd like the image from the lens hitting the recording medium, film or sensor, to have the bare minimum of distortion to begin with, but in the absence of that the maximum choice of correction software and transparency about what is been done. It is, and always will be, about knowing a lens. At least in part. I could go on a Swiss Tony tangent on that. Now that a Leica is replaceable every two years I feel quite strongly the lenses should be very good. I don't own a Leica but I admire them. It's just a shame cameras come with insufferable camera users. Not everyone. Obviously.)
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