I think the avenues available for patronage of new music is doing really, really well. Extremely obscure bands are able to find their niche fans and connect with them. For visual arts it’s much more difficult I think, because you really need to find a small handful of patrons that are willing to go into 4-5 figures and be a substantial long-term supporter. It’s much harder to share the experience of an original work of art with more than one person. You can sell art books I guess but it’s really not the same thing as selling CDs and vinyl to thousands of fans. There really needs to be hundreds of people doing what I’m doing, but following their own tastes, and I really don’t see that happening right now.