REMINDS ME OF THE REAL JEWS WHO KNEW THE MEANING OF YHWH U GNO FROM BACK IN THE GOOD OL DAYS B4 THE TALMUDISTS TOOK OVER ✡️👹✡️

🌀🐇🌀 This is the title page engraving from Aula Subterranea (1672 edition), a famous 17th-century book on mining, metallurgy, and assaying (testing the purity of metals, especially precious ones like gold and silver).

The full title, as shown in ornate Gothic script on the central plaque, is something like Aula Subterranea a Iua Probier Buch Ferru Asauri Probirens — a slightly archaic or variant spelling referring to a “probierbuch” (assaying book) for iron, gold, and other metals.

The book is an expanded German edition of Beschreibung allerfürnemisten mineralischen Ertzt- und Bergwercksarten (Description of the Most Important Mineral Ores and Mining Types), originally written by the Bohemian mining expert Lazarus Ercker in 1574. Ercker was a prominent assayer and mint master, and his work became a foundational text in early chemistry and metallurgy.

Key Symbolic Elements

The elaborate illustration blends biblical, alchemical, and Masonic-inspired symbolism common in 17th-century scientific/engraving works:

• The Hebrew Tetragrammaton (יהוה, YHWH) at the top, radiating divine light → signifying God’s oversight of creation and human endeavors like mining (extracting treasures from the earth as part of divine order).

• The two pillars marked J and B → represent Jachin and Boaz, the famous bronze pillars at the entrance to Solomon’s Temple (described in 1 Kings 7). They symbolize strength, establishment, and divine wisdom — often invoked in works tying human craftsmanship to sacred architecture.

• Surrounding symbols like scales (for weighing/assaying metals), a crowned globe, angels, and labels in Latin (e.g., Tempus, Pondus, Mensura, Numerus — time, weight, measure, number) and others like Cordos → emphasize precision, balance, and the orderly structure of the universe (“Divina ordinatio & Structura” means “Divine Order and Structure”).

• The lower vignettes show mining scenes and cityscapes → reflecting the book’s practical focus on underground work (“Aula Subterranea” means “Underground Hall” or “Subterranean Court”).

This engraving style is typical of Baroque-era frontispieces, meant to elevate technical knowledge to a divine or philosophical level, blending science, religion, and mysticism. Copies of this title page are often reproduced in histories of alchemy, chemistry, and mining. ✨♾️✨