How much of a lift will the be for the bands to set up from a technical/hardware standpoint?
My hope is to be able to have things such that they can stream select concerts while out on tour.
I wont be there on tour with them so itll have to be something they can handle on their own after some training. I can handle stuff virtually but wondering what all is required on-site?
They will also have a sound guy with them that will more than likely be handling the setup and I can handle whatever back end stuff that can be set up virtually.
In a perfect world, you need 2 sound engineers to pull this off. One at FOH, and another one is an isolated both - faw away from the stage - that can mix for the internet. It's the same theory behind TV production trucks.
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