31Knots - Compass Commands
https://music.youtube.com/watch?v=0x1_a4QLZQA
Wordle 977 3/6*
🟩⬛⬛⬛⬛
🟩⬛🟨⬛🟩
🟩🟩🟩🟩🟩
https://www.nytimes.com/games/wordle/index.html
#Worldle #761 2/6 (100%) (cheated)
🟩🟩⬛⬛⬛↙️
🟩🟩🟩🟩🟩🎉
🧭⭐🚩🔤🏙
La palabra del día #776 3/6
🟩⬜⬜🟨⬜
🟩⬜🟨🟨🟨
🟩🟩🟩🟩🟩
Le Mot (@WordleFR) #773 3/6
⬛⬛⬛⬛⬛
🟩🟨⬛⬛🟩
🟩🟩🟩🟩🟩
Framed #712 (nope. I watched "Woodlands Dark and Days Bewitched: A History of Folk Horror", on Prime, - a 3 hour long documentary, and it was good. It could be broken into 3 or four pieces for convenience. Discussions of media and its nuances are dominated by the educated. I'm torn between a prejudice that some of it is talking in well referenced and elaborate terms about about clouds but also seeing the utility, and possibly fact, of genre based categories. With a cumulo nimbus clouds a person could discuss the potential dangers, the way they look, what people call them where they happen, the history of their observation, all without the underlying reasons how and why they occur. It's infrequent that the people depicted in folk contexts create the media in which they're represented, I won't list those I think of as notable exceptions to that but includes Thomas Hardy*, Dickens*, John Bunyan*, and others, in the context of British observations of folk. A lot of folk horror is a result of confounding some very patronising, bucolic, idealised, perceptions of folk by the educated, at least one step removed from the folk they're depicting. I disagree with the idea 'people should stay in their lane', which is often a theme within folk horror: this is a local shop, for local people, there's nothing for you here. What matters is that it's good. A lot of it strikes me as clever people talking clouds and the psychological amelioration that there must be something more to poverty and the status quo - to the 'folk'. I'd like to reiterate I think it is a fascinating documentary and a must for those interested in the genre. Especially alongside A History of Horror with Mark Gatiss. I'll do WordAll later, I've got to check someone is OK, and I fancy some toast. If there are typos, and there will be, keep in mind I'm quickly typing this on a phone screen and, while I care, I don't care that much.)
🎥 🟥 🟥 🟥 🟥 🟥 🟥
* All of whom have fascinating contexts and analysis would require exactly the kinds of discussions within the documentary and the kinds of people having those discussions. I'm deliberately validating and invalidating my argument to depict being torn about it.