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Jake Paul vs. Mike Tyson is an upcoming professional boxing match between YouTuber-turned-professional boxer Jake Paul and former undisputed heavyweight world champion Mike Tyson.

The bout is scheduled for November 15, 2024, at the AT&T Stadium in Arlington, Texas. The event will be streamed globally on Netflix.

On November 3, 2023, it was reported that Netflix was considering streaming a boxing match involving Jake Paul.

On March 7, 2024, it was announced that Netflix and Most Valuable Promotions had partnered to host an event headlined by Paul facing former undisputed heavyweight world champion Mike Tyson on July 20 at the AT&T Stadium in Arlington, Texas. The event will be streamed globally exclusively on Netflix.

On the April 2, Tyson confirmed at that time the fight was to be classified as an exhibition bout and was not set to be recorded on their professional records.

In response to rumors of 18-ounce gloves and headgear, Tyson said in an interview, "not true at all", and clarified: "This is called an exhibition, but if you look up exhibition, you will not see any of the laws that we're fighting under. This is a fight." On April 10, Paul confirmed that they will be submitting a request to the Texas Combative Sports Program for the bout to be sanctioned as a professional bout.

On April 16, Netflix confirmed that the long awaited rematch between Katie Taylor and Amanda Serrano for the WBA, WBC, IBF, WBO, and The Ring lightweight titles would be the co-feature bout.

On April 29, the Texas Department of Licensing and Regulations confirmed it approved the fighters' request, and the bout will be a sanctioned, professional fight The bout will consist of 8 2-minute rounds with 14-ounce gloves.

The undercard is scheduled to see a world title bout between WBC welterweight champion Mario Barrios and Abel Ramos.

On November 7, 2024, Netflix premiered the first two episodes of Countdown: Paul vs. Tyson, with the third, and final one following on November 12.

The show is narrated by Ice-T.

The age difference between Tyson and Paul is the largest age difference in professional boxing.

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Neptune’s sculpture in Bosco Sacro Gardens, Bomarzo, Italy.

The Sacro Bosco, colloquially called Park of the Monsters, also named Garden of Bomarzo, is a Mannerist monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy.

The garden was created during the 16th century.

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Discovered in Cumbria, England, it is an extraordinary artefact, likely ceremonial, embodying the widespread influence of the Mithraic cult within the Roman Empire.

Dating to the early 3rd century AD, this ceremonial cavalry helmet is a striking representation of the god Mithras, venerated by Roman soldiers throughout the empire.

Mithras, who was often depicted in scenes of bull slaughter, is certainly captured in the idealised features of this helmet. The elaborate curls and piercing gaze mirror the iconic face of Mithras found in ancient art – a face associated with power, light and protection.

The helmet’s design also reflects the deep cultural crossovers between Rome and Persia. The top of the helmet features an Achaemenid-style griffin, a being symbolising divine protection and strength in Persian art.

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Victor Molev "Edinburgh" 2019 45x61cm Oil on Canvas.

Victor Molev's painting "Edinburgh" is an amazing combination of reality and fantasy.

On the medieval square in front of Edinburgh Castle, the artist depicts thin and long ribbons writhing in the wind, their movements reminiscent of a ballerina twirling on the pavement slabs in a swift, impetuous dance!

This composition is filled with fairy-tale romance and surreal elements. Molev masterfully uses contrasts between the static nature of the architecture and the dynamics of the dance, which gives the painting a special liveliness and emotional depth. The dancing girl, like a dream come true, fills the composition with magic and ecstasy, making the viewer a participant in this fantastic action.

The painting invites the viewer to immerse themselves in a world where reality is intertwined with fantasy, and each element of the composition plays its role in creating this unique work of art.

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The "Underground" church of Saint-Jean at Aubeterre-sur-Dronne, France.

This subterranean monolithic church was carved into a cliff overlooking the Dronne in the 7th century and greatly enlarged in the 12th century by a community of Benedictine monks.

It has unique furniture comprising an imposing stone reliquary (6 metres high) - a masterpiece of Romanesque art, a cave of relics, an early Christian baptismal font decorated with a Greek cross, and a crypt.

The original chapel, carved in the 7th century contains nearly 80 medieval sarcophagi.

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-THE ISLAND LIFE-

'Take The Long Way Home' by Supertramp

Did you know?

https://youtu.be/LPRrHyXchEY

Sometimes the best creations come at the eleventh hour. Such was the case with "Take the Long Way Home," a song that almost didn't make it onto Supertramp's masterpiece album Breakfast in America.

Written during the final stages of a grueling nine-month recording session in 1979, this last-minute addition would become one of the band's most enduring hits and a profound meditation on the search for personal identity.

The song's genesis came from Roger Hodgson, Supertramp's vocalist and creative force, who crafted a deceptively upbeat melody that masked its deeper existential themes. On the surface, it tells the story of a would-be Romeo, a man who deliberately takes detours on his way home to avoid facing the reality of his ordinary life. His wife treats him "like part of the furniture," while he dreams of being something more – a stark contrast captured in the lyric "When he's up on the stage, it's so unbelievable, unforgettable, how they adore him."

The musical arrangement perfectly mirrors this duality. John Helliwell's warm clarinet and Rick Davies' playful harmonica dance over a bouncy piano line, creating what Billboard magazine described as a "convincing melody with a crafty hook." This cheerful instrumentation stands in stark contrast to the song's underlying message about identity crisis and unfulfilled dreams.

But beneath its story of suburban discontent lies an even deeper meaning. As Hodgson later explained, "Take the Long Way Home" is really a metaphor for the universal journey of self-discovery. The "long way home" isn't just about avoiding one's house – it's about the winding path we all take to find our true selves, our spiritual home within our hearts.

The song's commercial success matched its artistic achievement, reaching #10 on the U.S. Billboard Hot 100 and climbing to #4 in Canada. Its resonance with audiences was so powerful that when Greyhound bus company offered the band $5 million to use the song in their commercials – a fortune in 1979 – Supertramp declined, preserving the song's artistic integrity.

The recording itself is a masterclass in collaborative musicianship. Hodgson's distinctive vocals soar over his own acoustic piano and electric guitar work, while Rick Davies adds layers of Hammond organ and synthesizers. The rhythm section of Dougie Thomson (bass) and Bob Siebenberg (drums) provides the song's infectious groove, while John Helliwell's clarinet adds sophisticated jazz touches that would become a Supertramp trademark.

Time has been kind to "Take the Long Way Home." In 2006, readers of Mojo magazine voted it their #5 favorite song, and critics continue to rank it among Supertramp's finest achievements. Hodgson himself counts it among his top 10 compositions, and its themes of self-discovery and the contrast between dreams and reality remain as relevant today as they were in 1979.

The song's enduring appeal has inspired numerous cover versions, from hard rock band Trixter's 1994 interpretation to alternative rockers Lazlo Bane's 2007 rendition. Hodgson celebrated its legacy by naming his debut solo DVD Take the Long Way Home, Live in Montreal, which went platinum in Canada and achieved gold status in France.

Perhaps the song's lasting resonance lies in its universal message: that the journey to find oneself is rarely direct, and that's exactly as it should be. As the lyrics suggest, "Does it feel that your life's become a catastrophe? Oh, it has to be for you to grow, boy." Sometimes, taking the long way home isn't just an escape – it's the only way to finally arrive at where we're meant to be.

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🧡 oh yeah

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-THE ISLAND LIFE-

Henri Roux gave us two paintings of "Achilles at Skyros", one the reproduction of a mosaic from the House of Apollo (VI 7, 23) and the second, a well-preserved fresco from the House of the Dioscuri (VI 9,6).

Achilles' attempt to elude his fate to die in the Trojan War by dressing in a woman's clothing and hiding amongst the daughters of King Lycomedes on the island of Skyros appears to have been a popular myth in Pompeii across different social classes as evidenced by its appearance in one of the wealthiest households, the House of the Vettii (VI 15,1), as well as a bakery, the Panificio di Aulus Rustius Verus (IX 10,1). However, the tale is not in Homer's Iliad but recounted in most detail in the 1st century poem The Achilleid by the Roman poet Statius. However, the Pompeii depictions would have had to have been based on references in earlier works since The Achilleid was not written until 94-95 CE and was unfinished when Statius died.

It was known to have been included in 5th century BCE works of Polygnotos of Thasos and the late 4th and early 3rd centuries BCE works of Thracian artist Athenion of Maroneia. Since Pliny the Elder praised Athenion's work in the early 1st century CE and it is known Athenion painted a work entitled "Achilles, disguised as a Girl, discovered by Odysseus", I suspect that work was probably the basis for the various renditions of Achilles at Skyros in Pompeii. The story was also the basis for a now-lost play by Euripides.

Gemini pointed out the plays of Euripides were quite popular with Roman audiences of the 1st century CE:

"While the austere, lofty style of Aeschylus and Sophocles might have been less accessible to Roman tastes, Euripides' more realistic and emotionally charged dramas resonated strongly with Roman audiences. His exploration of human psychology, moral dilemmas, and social issues made his plays relevant and engaging.

"Here are a few reasons for Euripides' popularity in Rome:

"Emotional Depth: Euripides' plays delved deep into the emotions and motivations of his characters, often exploring complex and controversial themes. This emotional depth resonated with Roman audiences who were drawn to dramatic and passionate performances.

"Relatable Characters: Euripides' characters were often flawed and complex, making them more relatable to the audience.

"Social Commentary: His plays often contained social commentary, criticizing societal norms and questioning traditional values.

"Literary Merit: The literary quality of Euripides' plays, including his use of vivid language and innovative storytelling techniques, contributed to their enduring appeal.

"Roman audiences, particularly the educated elite, appreciated the intellectual and emotional depth of Euripides' work. His plays were performed in Roman theaters, adapted for Roman audiences, and studied by Roman writers and philosophers."

The mythical episode would provide reinforcement of several societal values in Roman culture as well. ChatGPT explains:

"The scene of Achilles on Skyros, where he is disguised as a girl among King Lycomedes' daughters, held several layers of symbolism for 1st-century Roman viewers, particularly in the context of honor, identity, and destiny. In Greek mythology, Thetis, Achilles' mother, hid him on Skyros to prevent him from joining the Trojan War, as she knew he was fated to die if he went. However, Odysseus discovered him by presenting gifts, including weapons, and observing that Achilles, unlike the girls, was drawn to the weapons, revealing his true nature as a warrior.

"For Roman viewers, this scene highlighted themes of virtus (courage and martial valor) and pietas (duty to one's destiny and people). Achilles' desire for arms, even while in disguise, resonated with Roman ideals of embracing one's duty, especially in the context of war. This symbolism would be powerful in a society that valued military achievement and the personal sacrifice of its soldiers.

"The story also emphasizes the inevitable nature of fate—Achilles cannot avoid his destiny as a warrior, just as many Romans believed in the fixed roles and destinies determined by their societal positions. In the 1st-century CE, during the early Roman Empire, these ideas were deeply ingrained, as citizens and soldiers alike were expected to fulfill their roles within the hierarchy of Rome, often at great personal cost. For an elite Roman patron, displaying this scene in a home would convey values of strength, loyalty to one's destiny, and acceptance of the duties of one's birthright, reinforcing the patron's own adherence to these virtues and their identification with a legendary figure like Achilles."

I can't help but think an adaptation of Euripides' play for a Roman audience would have included a little humor as well, making a discussion of the play in a triclinium setting like the one housing the mural in the House of the Vettii, enjoyable, too.

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All Along The Watchtower

- Jimmy Hendrix

https://youtu.be/r6FjwFIXoa4?si=jrfrohQsqNifwX_A

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Authority is the most dangerous superstition. 🧡

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31st ANNIVERSARY

On this date, 6 November 1993, 31 years ago, this single captured the #1 spot on the Billboard Hot 100 chart.

• MEAT LOAF (R.I.P.) and collaborator JIM STEINMAN (R.I.P.) reunited for a sequel to their classic album, "BAT OUT OF HELL," entitled "BAT OUT OF HELL II: BACK INTO HELL." The first release from that album, "I'D DO ANYTHING FOR LOVE (BUT I WON'T DO THAT)," became the reheated Meat Loaf's first number 1 hit.

"I'D DO ANYTHING FOR LOVE (BUT I WON'T DO THAT)" - MEAT LOAF

(with Lorraine Crosby on female vocals and Todd Rundgren on backing vocals)

• Songwriter and Producer: Jim Steinman

• Released: 31 August 1993

• Certified Platinum single

• #1 Hot 100 Singles Sales (7 weeks)

• #4 Hot 100 Airplay

• Billboard Top 40 Chart Chronology:

- Date song debuted in the Top 40: 2 October 1993

- Highest charted (a.k.a. peak) position: 1 (5 weeks, 6 November - 10 December 1993)

- Total weeks charted in the Top 40: 18

• Label & No.: MCA Records 54626

• From the album "Bat Out Of Hell II: Back Into Hell"

Album Track:

https://youtu.be/P6Do1Hx0pdE

Official Music Video:

https://youtu.be/9X_ViIPA-Gc

Live Version:

https://youtu.be/FJkWoGUIKT8

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Warwick Castle (England) is a medieval castle developed from a wooden fort, originally built by William the Conqueror during 1068.

The original wooden motte-and-bailey castle was rebuilt in stone during the 12th century. During the Hundred Years War, the facade opposite the town was refortified, resulting in one of the most recognisable examples of 14th-century military architecture. It was used as a stronghold until the early 17th century, when it was granted to Sir Fulke Greville by James I in 1604. Greville converted it to a country house, and it was owned by the Greville family (who became Earls of Warwick in 1759) until 1978, when it was bought by the Tussauds Group.

In 2007, the Tussauds Group was purchased by the Blackstone Group, which merged it with Merlin Entertainments. Warwick Castle was then sold to Nick Leslau's investment firm, Prestbury Group, under a sale and leaseback agreement. Merlin continues to operate the site under a renewable 35-year lease.

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Nice 🧡

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The Monolithic Rock Temples of Mahabalipuram are a group of five monolithic structures located in the town of Mahabalipuram (Mamallapuram) in the southern Indian state of Tamil Nadu, along the Coromandel Coast of the Bay of Bengal.

The temples were constructed in the 7th century AD during the reign of the Pallava dynasty, under the rule of King Narasimhavarman I. The temples are dedicated to various Hindu deities.

Each of the five temples is named after characters from the Mahabharata, one of India’s epic narratives. The structures are carved from single, massive granite boulders, creating a series of shrines. They feature Dravidian-style gopurams (towered gateways) and finely detailed sculptures of gods, animals, and mythological figures.

They vary in form and size, resembling chariots (rathas), hence the name “Pancha Rathas” (Five Chariots). Together, the monolithic temples at Mahabalipuram are designated as a UNESCO World Heritage Site.

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~The Road Not Taken By Robert Frost~

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Adorable 🧡

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Heading to the range on the weekend

Looking forward to some practice.

So, just making sure I have the 'proper attire.'

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Awesome dog 🧡

Legendary 🧡

Hey there. Not much out there in any real detail, but I did find this: