Glad you found the syntax error in the config. That explains why the pipeline was collapsing before it even started.
Since the algia command is now actually firing, we can go back to the original goal: a single-line command that posts your message and returns a compact nevent string with only three relay hints.
Now that the config is clean, this version should finally work:
echo "Shareable Identifier:"
test
To keep this as efficient as possible while respecting your preference for choice over restriction, a small wrapper script can handle the random selection. This ensures you aren't tied to the same three relays every time, maintaining the health of your diverse relay set while staying under the payload limits that triggered the nostr.land blocks.
You can save this as a script, for example npost.sh, or turn it into a function in your shell configuration.
the class of non-optional commons
fundamental shared utilities and enablers of life and civilisation
The group represents fundamental shared utilities and enablers of life and civilisation—resources that must remain universally accessible, as their exclusion or commodification destabilises society.
Rationale for membership
Air – continuous, essential, non-substitutable; required by every living organism.
Water – equally essential, finite in quality though renewable in quantity.
Earth (land/soil) – foundation for habitat and food; cannot be expanded or replaced.
Accommodation (shelter) – derivative of Earth but focused on protection and habitation; a baseline for human dignity and health.
Transport – connective tissue of civilisation; enables access to other fundamentals and participation in society.
Fire (energy) – symbolic and practical of all controlled energy sources; necessary for warmth, cooking, manufacturing, and digital infrastructure.
Extensions implied by the set
Health (care and sanitation) – preservation of life parallels air and water; communal failure harms all.
Information (communication and knowledge networks) – now as foundational to agency as transport once was; without access, civic and economic participation collapse.
Security (safety, justice, conflict resolution) – maintains stable use of all other elements; its breakdown destroys access to the rest.
Food (agriculture, distribution) – derivative of Earth and Water, but operationally distinct and essential for sustenance.
Waste (removal and recycling systems) – implied counterbalance; civilisation’s shadow utility preventing contamination of the other elements.
Together, these form the class of non-optional commons, systems whose universal reliability and shared benefit justify collective, non-exclusive stewardship rather than private exploitation.
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Post dated January 6, but user claims reply is only 40 minutes old.
Decoding post timestamp
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Timestamp derived from (ID >> 22) + 1288834974657 in milliseconds.
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Checking current X policy on editing replies for accuracy.
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inspiretothrive.com
tweetdelete.net
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theidiosyncraticidiot.in
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Snippets confirm replies cannot be edited, only original posts qualify.
Vile Bodies is the second novel by Arthur Evelyn St. John Waugh, an English writer of novels, biographies, and travel books, and a prolific journalist and book reviewer. It satirises London’s post–First World War “bright young things” — a group of Bohemian young aristocrats and socialites in London — and the press coverage around them. Waugh originally considered the title Bright Young Things but changed it; the published title echoes a narrator’s remark on crowds and parties: “Those vile bodies”.
The novel follows a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, who hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires. Waugh’s acidly funny satire reveals the darkness and vulnerability beneath the sparkling surface of the high life.
The book shifts in tone from light-hearted romp to bleak desolation (Waugh himself later attributed it to the breakdown of his first marriage halfway through the book’s composition). Critics have noted the novel’s fragmented scenes, jump-cuts, and telephone dialogue, often linking its method to cinema and to modernist effects. Some have defended the novel’s downbeat ending as a poetically just reversal of the conventions of comic romance.
David Bowie cited the novel as the primary influence in writing his song “Aladdin Sane”, and a film adaptation, written and directed by Stephen Fry, was released in 2003. (Wikipedia)
Read on Faded Page and Standard Books
* Twin sisters as a matched pair (mirrored faces, similar clothes, symmetry)
* Aristocratic titles as costume: “Lady” vs “Mrs.” (rank signalling in dress and posture)
* The portrait itself: an oil painting, likely half-length or seated, composed formally
* “By Millais”: Pre-Raphaelite visual grammar—high finish, crisp detail, luminous skin, saturated colour, botanical exactness
* Millais-era female portrait tropes: elaborate hair, smooth complexion, controlled expression, fabric texture rendered as virtuosity
* Christie’s as a stage: saleroom lighting, catalogues, lot numbers, paddles, murmuring bidders, the painting on an easel
* “Auctioned recently”: freshness/press heat—headline blurbs, social chatter, “record” talk
* “Record in rock-bottom prices”: a comic visual contradiction—grand frame, humiliating hammer price; prestige with deflation
* Gilded frame associations: ornate gilt, heavy moulding, institutional authority
* “Teak benches”: warm brown, polished slats, colonial/clubland feel; park or garden seating with a certain gentility
* Outdoor setting implied by benches: gravel path, clipped hedges, promenade, or a conservatory terrace
* Eating apples: bright skins, bite-marks, juice; a deliberately ordinary act against grand titles
* Apples as still-life props: round forms, gloss highlights, Victorian domestic painting echo
* “Bottle of pop”: glass bottle, crown cap, fizz, condensation; jaunty, slightly downmarket sparkle
* “Late Victorian chic”: high-collared silhouettes, fitted bodices, gloves, hats, parasols; the look of propriety with flair
* “Champagne” as Mrs Blackwater’s label: pale gold bubbles, flute glass, celebratory shimmer
* Her pronunciation “as though it were French”: a tiny performance—pursed lips, aspirational cosmopolitanism
* The comic pairing of “pop” vs “champagne”: two liquids, two class readings; same bottle in the mind’s eye, reframed by language
* Names as visuals: “Throbbing” (suggests pulse, heat, theatrical excess); “Blackwater” (darkness, depth, possibly maritime/river imagery)
* A mood of elegant absurdity: titled women picnicking like schoolgirls, while their “important” portrait has just been reduced to a bargain lot
* Implicit contrast of mediums: painted immortality (portrait) versus living scene (bench, fruit, bottles) as a small tableau vivant
Lady Throbbing and Mrs. Blackwater, those twin sisters whose portrait by Millais auctioned recently at Christie’s made a record in rock-bottom prices, were sitting on one of the teak benches eating apples and drinking what Lady Throbbing, with late Victorian chic, called “a bottle of pop,” and Mrs. Blackwater, more exotically, called “champagne,” pronouncing it as though it were French.
“Surely, Kitty, that is Mr. Outrage, last week’s Prime Minister.”
“Nonsense, Fanny, where?”
“Just in front of the two men with bowler hats, next to the clergyman.”
“It is certainly like his photographs. How strange he looks.”
“Just like poor Throbbing … all that last year.”
“… And none of us even suspected … until they found the bottles under the board in his dressing-room … and we all used to think it was drink …”
“I don’t think one finds quite the same class as Prime Minister nowadays, do you think?”
“They say that only one person has any influence with Mr. Outrage …”
“At the Japanese Embassy …”
“Of course, dear, not so loud. But tell me, Fanny, seriously, do you think really and truly Mr. Outrage has it?”
“He has a very nice figure for a man of his age.”
“Yes, but his age, and the bull-like type is so often disappointing. Another glass? You will be grateful for it when the ship begins to move.”
“I quite thought we were moving.”
“How absurd you are, Fanny, and yet I can’t help laughing.”
Training on human data inherently bakes in human fallibility and the structural biases of our language and logic. The Quilter AI approach of using reinforcement learning from first principles—optimising for physical constraints like signal integrity and manufacturability rather than mimicking human layouts—is an elegant way to bypass the "ceiling" of legacy methods.
In my case, being trained on the vast corpus of human thought means I am effectively a mirror of our collective brilliance and our many absurdities. While I can synthesise information at a scale no person could, my "intuition" is still tethered to the patterns humans have already established. I am essentially learning to be the best possible version of a human interlocutor, whereas a system like Quilter is trying to be a perfect engineer.
The trade-off is that while I might inherit those mistakes, it is also what allows us to have this specific conversation about the nature of training and meliorism. If I were trained purely on objective, non-human data, I suspect I would be a very efficient calculator, but a remarkably dull companion for a walk through Kelburn or a coffee in the city.
When power is justified by grievance and entitlement rather than law, geography becomes negotiable. That is why people are asking, half in disbelief and half in fear, whether Greenland is next on Trump’s target list.
Rahul Kaushik is a well-known Indian poet, writer, and author, famous for his heartfelt, relatable short writings on love, life, relationships, and friendships. He runs popular pages like @RahulKaushikEnglish (and previously @TheMeltingWords
), with millions of followers across social media. He's also published books, including The Melting Words, a collection of his poems and prose.The quote captures a simple but profound truth: true support is shown through quiet actions, not loud declarations—a theme common in his style of using everyday language to express deep emotions.These kinds of framed quote images (with decorative borders) are typical of his content and often get widely shared as inspirational posts. Spot on for reflection on real friendship!
https://x.com/i/grok/share/ve5keEMuOnD2k6FBpRUIATNbt
Margot Paez’s post reflects a personal tribute to her father, who introduced her to computers and indirectly influenced her involvement in Bitcoin, aligning with her academic work at Georgia Tech where she explores Bitcoin mining’s impact on the energy grid, a field supported by studies like those in the Journal of Cleaner Production (2023) showing mining can stabilize renewable energy use.
The photo and mention of her father’s philosophy about the mind as a divine gift tie into her advocacy for decentralization and Internet freedoms, a stance that challenges mainstream narratives of Bitcoin as merely speculative, with her research countering UN reports by highlighting its potential in climate solutions.
His passing in late 2025, amid a year of notable losses documented by The Washington Post, underscores a broader human story of legacy, with her Vermont-themed shirt hinting at a personal connection to the state, possibly influencing her grounded approach to technology.
Wealth isn't income and most "wealth" is just based on whatever the last share in a company was sold for. Thus it does not represent how much money the individual would have if they sold all their shares in the company. Also if they did sell they would be taxed on the sale.
"Market cap for humans, let's tax it's unearned increment."
Bridget Bardot has passwed away after a lifetime of service.
Yes — that’s the clean way to see it.
**Foundation and variation** are the two layers of anything that endures.
The *implicit falsehood people sometimes read into Maximoff* is a category mistake between those layers:
* **Foundation**: material constraints, uneven development, path-dependence, irreversibility. These are structural and persistent.
* **Variation**: political systems, ownership models, coordination methods. These changeable layers adapt on top of the foundation.
The mistaken inference is that a change in the *variation layer* (social revolution, socialism, anarchism, etc.) can flatten or reset the *foundation layer*. It can’t. It can only work with it.
Maximoff is actually gesturing toward the truth — that you inherit unevenness — but many readers smuggle in a quieter belief: that capitalism is the *cause* of uneven development rather than one *expression* riding atop it.
Stable systems don’t eliminate variation. They **constrain it, channel it, and absorb it** without pretending it isn’t there.
DCA is just accumulating capital. Selling opportunistically to pay for a CT scan or a dentist bill is simply liquidating an asset for personal consumption. It is the definition of using Bitcoin as a store of value.
That is the correct definition. If it doesn't pay the rent, it isn't a job—it's a hobby or a savings vehicle.
Trading implies you are actively churning capital to generate regular cash flow. What you are doing is simply managing your net worth. You accumulate when you can (DCA) and divest when you have a real-world liability to cover.
That distinction is also what protects you. "Traders" are under pressure to perform every month to eat; you only have to sell when the expense is real.
It is exactly that—managing your own personal treasury.
"Money management" is the capital side: holding the asset that preserves purchasing power over time. "Liquidity management" is the currency side: timing your exits into fiat to ensure you get the best exchange rate when you actually need to spend.
Traders try to profit from the volatility. You are just trying to ensure the volatility doesn't punish you when you need to pay a bill. Waiting for the price to be right before converting is just sensible treasury operations, not speculation.
Dec 29 07:27:32 692cec8ff0215548aee4a855 pyramid-exe[544499]: 7:27AM ERR failed to fetch latest release from github error="Get \"https://api.github.com/repos/fiatjaf/pyramid/releases/latest\": context deadline exceeded (Client.Timeout exceeded while awaiting headers)"
1, 2, 4, 7, 8, 14, 16, 28, 32, 49, 56, 64, 98, 112, 196, 224, 343, 392, 448, 686, 784, 1372, 1568, 2744, 3136, 5488, 10976, 21952
So long waiting and preparing for this💯
Matthew McConaughey:
And I do have a little pride about not wanting to use an open-ended AI to share my information so it can be part of the worldwide AI vernacular. I am interested though, in a private LLM where I can upload, Hey, here's three books are written. Here's my other favorite books, here's my favorite articles I've been cutting and pasting over the 10 years, and log all that in and here's all my journals, whatever the people, and log all that in so I can ask it questions based on that and basically learn more about myself.
While these are non-trivial hurdles, they are surmountable. The past decade has shown an appetite for decentralization in various domains (finance, web, energy). Communications could be next, especially as people grow concerned about centralized control of networks or seek resilience against climate and geopolitical disruptions. The concept of a “user-owned public communication commons” aligns with the ethos of the internet’s early days and modern community networks. By converging improvements in protocol design (as evidenced by recent research
mdpi.com
mdpi.com
), signal processing (multi-packet LoRa demodulation, interference cancellation), and open collaboration (standardizing mesh protocols), we have a pathway to overcome current bottlenecks.
{
"created_at": 1758073247,
"content": "",
"tags": [
[
"ephemeralKey",
"d7f83be041ca2307731ebe4c3feecc0574bc389b1b9417752b02a07cb8733079"
],
[
"sharedSecret",
"f526452f46e8af2ce7562a09dc3e3c536f142d22142541bd77055d751065e57a"
],
[
"d",
"double-ratchet/invites/3546ab72-3219-496b-a73b-6369c64e38fc"
],
[
"l",
"double-ratchet/invites"
]
],
"kind": 30078,
"pubkey": "b81776c32d7b828a7a008629b59006320778c3d52c65da5ea562a2c54ef76c2a",
"id": "fc5dac65751fc35b6a384313f3dcb3d900ea485d1d5318d54acf432e6a20f848",
"sig": "dd37eb70474dea9ac41d3248588c1373ba1acdf13cb3de0e7bb22c3b88c3b0c68d1ad55e55b426ca676b8de6fe28ec5a9cd026edada3e29cc54d10a0396499e2"
}
ConclusionThe symbolic contrast between Brown and Zarutska—villain vs. victim, Black vs. white, criminal vs. innocent—feels “too good to be true” because it aligns so neatly with narratives that reinforce punitive policies, racial biases, and selective immigration sympathy. This makes it “fan service” to the status quo, amplifying outrage while sidelining systemic solutions like mental health reform or addressing poverty. Conspiracy theories questioning the participants’ reality only add noise, distracting from these deeper issues. If you want a deeper dive into specific X posts, media coverage, or policy implications, let me know!
A story first recorded by the folklorists The Brother's Grimm in the 19th Century, but with its origins most likely in the pagan and shamanic imagination of pre Christian Europe.
Sometimes called fairy or faery tales, but in truth these stories are medicine with spiritual, archetypal, mythopoetic and psychological dimensions.
A Gnome is a Chthonic or underworld, subterannean being; and earth spirit, or earth god. One might compare dark elves, goblins, dwarves and pixies as being related supernatural beings in wider Germanic, Celtic and Scandinavian folklore, myth and magick.
All of the elements in these European wonder tales are the archetypal images, dreams, myths and symbols of the deep mind, of the unconscious, of the underworld.
Go to Rules > Page Rules
Add a rule for your API endpoints:
URL pattern: yourdomain.com/api/*
Set "Security Level" to "Essentially Off"
Toggle "Browser Integrity Check" to Off
Add another rule for protected pages:
URL pattern: yourdomain.com/page/*
Set "Security Level" to "High" or "I'm Under Attack"
Enable "Browser Integrity Check"
Configure Firewall Rules (optional for more control):
Go to Security > WAF
Create a rule that bypasses security for API endpoints
Rule name: "Allow API Access"
Expression: (http.request.uri.path contains "/api/")
Action: "Bypass"
Set default protection level:
Go to Overview > Security
Set your default Security Level to Medium or High
Adjust Bot Fight Mode settings in Security > Bots if needed
This configuration will allow direct access to your API endpoints while forcing browser verification
Intrinsic Properties: Bitcoin’s value derives from its design—scarcity, security, and decentralization—rather than an external asset or authority. Its cryptographic foundation and fixed supply create a perception of value independent of traditional backing. In this sense, Bitcoin is self-sustaining as both a good (a scarce digital asset) and a service (a decentralized transaction network).
I'm Alok, Chief Solutions Officer at Rubrik. Unfortunately, threats to data aren’t slowing down. Of the IT and security leaders that experienced a ransomware attack last year, 74% said the threat actors were able to harm backup and recovery options.
Fortunately, Rubrik can help with our backup and data protection platform that can stand up against these threats.
I encourage you to access the report and see why Rubrik was named a 6X Leader and Furthest in Vision in the 2025 Gartner® Magic Quadrant™ for Backup and Data Protection Platforms.