Subnostr

Never doubt yourself. Take a deep breath, learn from your mistakes, adjust your plans, and move on. Happy Friday Everyone 💜👣 PV.

Replying to

SoupBox

i bought cheap earl grey and its not the same as the nice earl grey #onlytimeiwillbeabrat

AZA_21m 1y ago

Naaaah this or another 😋... greentee 💚 + yerba 🧉: yes!

Replying to

Annonymal

Hi, Plebs!

Today, let’s explore how different styles of music convey the same message in profoundly distinct ways.

The diversity of expression, even within a shared theme, can reach people from different backgrounds, tastes, and experiences.

For this, we propose a comparison exercise.

On March 8, 2024, #Annonymal released a song called "Shitcoin Casinos."

The song opens with an upbeat jazz theme, a playful, ironic sound, like something you’d hear in a retro ad for a casino at the circus.

The light-hearted feel masks an underlying critique of deception in the "shitcoin" world, a freakish allure that draws in unsuspecting victims.

But then, just as you start to settle into that jazzy vibe, the heavy metal drops like a hammer.

This is where the gloves come off. The shift to metal signals a brutal critique of predatory practices in the broader crypto space—an aggressive, unapologetic takedown of fraud, hype, and the exploitation of the uninformed.

And then, right before the end, we bring back that jazz. But now, it doesn’t feel so carefree anymore.

The interlude mimics the casino ambiance, but beneath it, there’s a tension—an almost eerie reminder of how easy it is to be drawn in by the lights and sounds, and how, in the end, the house always wins.

You can listen to it here:

https://wavlake.com/track/b575fb1f-5585-450e-aa00-3109f7c8e52b

Now, let’s turn to another song, also dealing with the same theme—"Shitcoin Casino," released a few months later on August 16, 2024.

This version maintains an electro-pop feel from start to finish.

There’s no shift in style; it’s a smoother, consistent experience, driven by the rhythm and the atmosphere of electronic sound.

The pop beat doesn’t confront or shock like metal—it’s more like a steady hypnotic pull, similar to the subtle psychological tricks casinos use to keep people playing.

You can listen to it here:

https://wavlake.com/album/d8a6f199-9387-4cfb-b88b-45a326ce43db

The reflection here isn’t about judging which song is “better.”

After all, such judgments are inherently subjective, tied to personal preferences, emotional triggers, and the moods we bring to the listening experience.

But what’s truly fascinating is how differently these two songs, built around the same core theme, feel when delivered through such distinct musical styles.

This is where music as an art form becomes a tool for shaping perception.

The aggressive, confrontational nature of heavy metal may resonate with someone who’s ready to be jolted awake, someone who responds to raw power and the intensity of protest.

Metal thrives in disruption—it forces listeners to confront uncomfortable truths, to deal with the message head-on.

In this case, the critique of predatory "shitcoins" isn’t just delivered—it’s screamed, thrown in your face, demanding your attention.

On the other hand, electro-pop speaks to a different sensibility.

It’s accessible, even seductive, like the very thing it critiques. The rhythm invites listeners in, holds them in a groove, while the message creeps in more subtly.

For someone who may be put off by the harshness of metal, this style can deliver the same critique in a way that feels less confrontational.

It’s almost like delivering the bitter truth with a spoonful of sugar—easier to digest, but no less significant.

Now, here’s the bigger point: Different people connect with different expressions of the same idea.

For one listener, the heavy metal version of "Shitcoin Casinos" might be the exact catharsis they need—a visceral, aggressive statement against deception and fraud.

For another, the electro-pop version of "Shitcoin Casino" might strike a chord, subtly revealing the underlying schemes without the harsh edges that might otherwise push them away.

This diversity in expression is crucial.

The Bitcoin space, much like music, is about more than technology or finance. It’s a cultural movement, a philosophical shift that challenges the status quo.

And for that movement to grow, for the message to spread, we need a rich tapestry of artistic voices and mediums.

We need everything from heavy metal to jazz to electro-pop—and beyond.

Each form can reach different audiences, and each audience brings its own perspective, its own set of values, into the fold.

We’re not just making music. We’re contributing to a revolution.

We’re building a world where clownish distractions—whether they come in the form of fiat illusions or shitcoin scams—can no longer hold sway over people’s lives.

And to do that, we need every kind of Bitcoin-related cultural product we can muster.

From heavy metal anthems to introspective ballads, from visual art to poetry, every medium has a place in this movement.

Because the revolution isn’t one-size-fits-all. It’s a mosaic of voices, ideas, and expressions, all working towards the same goal: to wake people up, to shake them out of the distractions of clown world, and to show them that something better, something real, is out there.

And there’s room for all of us in this fight, to contribute in whatever style speaks to us, to use our creativity to influence, inspire, and drive change.

Whether you’re into metal, jazz, electro-pop, or something else entirely, there’s a place for you in this movement.

The only thing that matters is that we’re all working toward the same goal—freedom, sovereignty, and truth.

AZA_21m 1y ago

Wooooha. Absolutely LOVE this song!!! Found it through/thanks to nostr:nprofile1qqsdkpz9s609tu66jsvyymdd6cq9lx7ud2mxezx4j5m0c4mqyfmggrspz4mhxue69uhkummnw3ezummcw3ezuer9wchs7q880p 🔥🧡

Replying to

David

No

AZA_21m 1y ago

So, your file is too heavy (that's what the page says as well). I have a paid version of NostrBuild (10GB/pro account) where I can store +publish different files, including bigger videos. A nice thing to have. Maybe consider getting the same for yourself. If you want me to help you once with this particular video, you can send me the file via email / SimpleX and I'll add it to a separate folder on NostrBuild and share the link with you.

Replying to

Classical Educator

On this day in 1940, the incredible Paleolithic cave Lascaux was discovered.

Four teenagers in France made the extraordinary discovery that would forever change our understanding of prehistoric art.

While walking through the woods near the village of Montignac in the Dordogne region, their dog fell into a hole. Upon investigating, the boys stumbled upon the entrance to a cave that would soon be known as Lascaux.

Inside, they found stunningly preserved paintings, made by Paleolithic humans over 17,000 years ago. The walls of the cave were adorned with vivid depictions of animals, including horses, bulls, stags, and even abstract symbols, all rendered in red, black, and ochre hues.

The Lascaux paintings are among the most significant prehistoric art discoveries in the world. They offer a rare glimpse into the creative abilities and beliefs of early humans. The paintings demonstrate not only artistic skill but also a deep connection with the natural world. Many of the animals depicted are no longer found in Europe, suggesting that the cave paintings also serve as a record of the changing environment and species over millennia. Lascaux is considered a masterpiece of prehistoric art and is often referred to as the "Sistine Chapel of prehistory."

When Lascaux Cave was first discovered in 1940, the dating of the paintings was uncertain, as methods for accurately determining the age of prehistoric art were still developing. Initially, experts estimated the artwork to be around 15,000 years old based on comparisons with other known Paleolithic sites. However, as dating techniques evolved, particularly with the advent of radiocarbon dating in the mid-20th century, the estimated age of the Lascaux paintings was pushed back further. By analyzing organic materials, such as charcoal used in the pigments, and studying the stratigraphy of the cave, researchers eventually dated the paintings to approximately 17,000 years ago, placing them in the Upper Paleolithic period, specifically the Magdalenian culture. This shift in understanding reflects the progress of archaeological science, which continues to refine our knowledge of prehistoric human activity.

There are many theories about the meaning behind the Lascaux paintings. One widely accepted idea is that the paintings were created as part of a hunting ritual. According to this theory, early humans believed that depicting animals on the walls of the cave would bring them good fortune in the hunt. The detailed and dynamic representation of animals may have been intended to ensure the survival and prosperity of the group. Some researchers have suggested that the paintings were part of a shamanistic ritual, where the artist acted as a mediator between the human world and the spirit world. This idea is supported by the placement of certain images deep within the cave, in areas that would have been difficult to access, implying a sacred or ceremonial purpose.

Another theory suggests that the cave paintings represent early humans' attempts to understand and organize the world around them. The repeated depictions of specific animals may have held symbolic meaning, possibly reflecting their importance to the survival of the group. Some scholars propose that the paintings could be an early form of storytelling or even an ancient calendar, used to track the migration patterns of animals.

The images found in Lascaux Cave are primarily of animals, with over 600 depictions covering the walls of its chambers. The most prominent creatures are horses, which make up nearly half of all the animals depicted. In addition to horses, large bulls and stags feature prominently, along with aurochs, an extinct species of wild cattle. There are also bison, ibex, and even a few representations of what may be rhinoceroses and felines.

These animals are shown in dynamic poses, often in groups, suggesting movement or perhaps a narrative of a hunt. The artists used a variety of techniques, such as shading and outlining, to give the animals depth and life, employing natural curves of the cave walls to enhance the illusion of movement. The paintings are vivid, made with pigments like red ochre, yellow, black charcoal, and manganese, which allowed for a rich palette that has endured for thousands of years.

One of the more intriguing aspects of the Lascaux paintings is the near absence of human figures. Unlike many other Paleolithic sites where humans are depicted in simple or abstract forms, Lascaux contains only a single, enigmatic human figure. This figure, crudely drawn in comparison to the detailed animals, appears to be a man with the head of a bird or wearing a bird mask, lying near a wounded bison. The lack of human figures has led to much speculation about why early artists focused almost exclusively on animals. Some suggest that humans were deliberately left out due to a taboo on depicting the human form, or that the cave’s purpose was more spiritual or symbolic, with animals representing totemic or mythological elements. The focus on animals, rather than humans, emphasizes the significance of these creatures in the lives of early humans, potentially reflecting their role in hunting, survival, and possibly even belief systems.

Although the true meaning of the Lascaux paintings may never be fully understood, their discovery has provided invaluable insights into the cognitive and creative capacities of early humans. The paintings remain a powerful testament to humanity's enduring desire to communicate, create, and make sense of the world around us.

These "on this day" posts are inspired by my love of the greatest minds of the Western canon. It is in this spirit that I post these tidbits for the #bitcoin community as a way to bring beauty and knowledge to the world.

AZA_21m 1y ago

And please consider adding your lightning address to your profile 🙃 I wanted to zap this note... Yet couldn't