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Katrin
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You asked what “splitting the mind in two” means. Let me give you the rest of the quote. You should reflect on the Greek Myth, Pandora.

“It was Sappho who first called eros "bittersweet." No one who has been in love disputes her. What does the word mean?

Eros seemed to Sappho at once an experience of pleasure and pain. Here is contradiction and perhaps paradox.

To perceive this eros can split the mind in two. Why? The components of the contradiction may seem, at first glance, obvious. We take for granted, as did Sappho, the sweetness of erotic desire; its pleasurability smiles out at us. But the bitterness is less obvious. There might be several reasons why what is sweet should also be bitter. There may be various relations between the two savors. Poets have sorted the matter out in different ways. Sappho's own formulation is a good place to begin tracing the possibilities. The relevant fragment runs:

"Epos snûté Hi' d luoLichns Sóvel, yuKOnikpov auáxavov optErov

Eros once again limb-loosener whirls me sweetbitter, impossible to fight off, creature stealing up”

(LP, fr. 130)

And this — also in the book:

“To love one's friends and hate one's enemies" is a standard archaic prescription for moral response. Love and hate construct between them the machinery of human contact. Does it make sense to locate both poles of this affect within the single emotional event of eros? Presumably, yes, if friend and enemy converge in the being who is its occasion. The convergence creates a paradox, but…”

This is a difficult concept dave.

I will share my interpretation later.

2nd Choice: Anne Carson EROS THE BITTERSWEET

“It was Sappho who first called eros "bittersweet." No one who has been in love disputes her. What does the word mean?

Eros seemed to Sappho at once an experience of pleasure and pain. Here is contradiction and perhaps paradox.

To perceive this eros can split the mind in two. Why? The components of the contradiction may seem, at first glance, obvious.”

1st Choice: Franz Kafka THE DIARIES translated by Ross Benjamin

“19 (December 1913) Letter from F

Beautiful morning, warmth in my

blood.

20 (December 1913)

no letter

“The effect of a peaceful face, a calm speech, especially from a stranger one hasn't seen through yet. The voice of God from a human mouth”

#[0]​ I want you to choose. Would you like me to read to you (meaning I will share a quote) from Franz Kafka’s Diaries (the new translation) or a quote from Eros The Bittersweet by Anne Carson. You decide.

This is me— I checked out the run way at the “Flowers Meet Fashion: Inspired by Billy Porter” show at Phipps Conservatory. And I ran into a college friend I have not seen in years! A great Sunday! ☀️👗🌸🌺🌼☀️Snapped some 💜for Nostr! If you are in Pittsburgh check it out— so gorgeous! https://www.phipps.conservatory.org/calendar/detail/Flowers-Meet-Fashion-Inspired-by-Billy-Porter

One more before I enjoy some ☀️ Language— it’s evolution & learning how people use words is my passion. So I enjoyed reading the essay, “Essay, Enlightenment, Revolution” by Anahid Netsessian this morning.

“The latter-day fortunes of this shift are especially vivid in the writing of Karl Marx, who represents not the end but rather the apex of the Enlightenment *essay* and its formal as well as political development.

What was the Enlightenment? In the most benign terms, it was a period of political and cultural liberalization in Western Europe lasting roughly from the late seventeenth to the end of the eighteenth century. As the authority and prestige of the natural sciences grew, that of religious institutions waned. Political systems founded on the old feudal arrangement began to atrophy, and a new set of values emerged to match this increasingly secular world order. Such values, at least for historians who view them through a rose-colored lens, emphasized personal autonomy over group identity, free thinking over dogma and fanaticism, and a belief that the state should not interfere in the private lives of its subjects.”

🧡He made a surprise appearance at PEN America & spoke this week. The Defiance of Salman Rushdie (audible version available— this is a long piece) https://www.newyorker.com/magazine/2023/02/13/salman-rushdie-recovery-victory-city

🤔How about this:

“Write to me soon, please, and tell me whether you still want to hear from me, whether you can still accept my tenderness and my love, whether anything else could help you, whether you still reach for me sometimes and darken me with that heavy dream in which I want to become light. Try it, write to me, ask me, write everything off your chest that is burdening you! I am very much with you

yours, Ingeborg”

These letters are beautiful— can you imagine living in a time when people could so eloquently express their feelings— it takes courage not only skill.