GaHee Park Unsettles Still Life Traditions with Surreal, Soured Temptations

In a brief email exchange about her work, GaHee Park references freedom several times. The Seoul-born, Montréal-based artist wants to liberate herself from realism and infuse her paintings with the expressive, simplified qualities of abstraction, creating decadent scenes with recurring motifs like eyes and fish. “I like to think about every subject of my work, including animals and human figures, as part of a still life. That gives me more freedom to make images,” she shares. More
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https://www.thisiscolossal.com/2024/02/gahee-park-still-lifes/
Elias Sime Weaves Connections Between Ancient Ethiopian Craft Traditions and Today’s Technology

Thousands of microchips, terminals, nails, letter keys, and lengths of wire transform into spectacular, monumental sculptures by acclaimed Ethiopian artist Elias Sime. In his exhibition Eregata እርጋታ at Arnolfini in Bristol, he highlights assemblages made from everyday materials, especially discarded technological detritus like computer keys, circuit boards, wires, and other electronic objects.
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In Magical Cut Paper Works, Barbara Earl Thomas Alchemizes Light and Shadow

Barbara Earl Thomas reminds us that darkness—and the absences and omissions it conceals—are part of the stories we’ve adopted as truth. Her pieces gravitate toward the inextricable relationship between light and dark, with warm colors and soft glows emanating from floral motifs.
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https://www.thisiscolossal.com/2024/02/barbara-earl-thomas-illuminated-body/
In ‘Speculative Hummus,’ Reddish Studio Explores the Plating Potential of a Traditional Middle Eastern Dish

A staple of tables across the Middle East and western Asia, a hummus plate is itself an art form. Traditionally made from pureed chickpeas mixed with tahini, a condiment made from toasted sesame, hummus achieves a depth of flavor from garlic, lemon juice, salt. Topped with olive oil, garnished with herbs, and sprinkled with spices, each presentation is as much a feast for the eyes as it is a comforting, nourishing dish.
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https://www.thisiscolossal.com/2024/02/reddish-studio-speculative-hummus/
Found and Natural Materials Prevail in This Year’s Shortlist for the Loewe Craft Prize

The prestigious Loewe Craft Prize announced 30 finalists for its 2024 competition, showcasing an impressive array of pieces spanning ceramics and glass to textiles and metals.
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Spanning Seven Centuries, ‘Judging a Book by its Cover’ Celebrates an Enduring Art

Critics have been lamenting the conformity of contemporary book coves for more than a decade, railing against the same abstract blobs and bland stock imagery gracing many titles. The designs are often chosen for their marketability and ease of mass production, two unavoidable, economic factors in today’s literary landscape.
The Grolier Club in New York, though, veers in the opposite direction, countering the monotonous, machine-printed images we’re all too familiar with for bespoke designs. More
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https://www.thisiscolossal.com/2024/02/judging-a-book-by-its-cover/
Ian Mwesiga’s Imagined Figures Hover on the Threshold of an Uncanny World

In his metaphysical novel Kafka on the Shore, Haruki Murakami offers a particularly heady description: “Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And hovering about there are signs no one has ever read, chords no one has ever heard.”
Ian Mwesiga sets his paintings. For his first institutional exhibition in the United States titled Beyond the Edge of the World, the Ugandan artist translates Murakami’s quiet uncanniness onto the canvas, envisioning subtly strange scenarios in which figures partake in curious acts. More
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Humans and Animals Commune with Nature and the Cosmos in the Multidisciplinary Work of Kiki Smith

If you’ve traveled via the Long Island Rail Road service in Manhattan and traversed the MTA’s brand new Grand Central Madison station, you may have noticed a slice of nature indoors in a monumental, wall-spanning mosaic of a woodland deer. Acclaimed artist Kiki Smith completed the piece in 2022, and it’s one of the most recent works in which she honors the natural world and humanity’s role within it.
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Eriko Kobayashi Casts Extraordinarily Lifelike Foods From Glass in Her Hyperrealistic Sculptures

Eriko Kobayashi’s incredibly lifelike sculptures of fried eggs, bacon, and gummy bears are made from the last thing you’d want to take a bite out of. Formed entirely of glass, the Seattle-based artist’s hyperrealistic works explore our relationship with routine meal times, comfort foods, and the nostalgia of brands like Pop Tarts.
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https://www.thisiscolossal.com/2024/02/eriko-kobayashi-glass-sculptures/
Debbie Lawson Tames the Wild by Cloaking Life-Sized Animals in Ornate Rugs

Rising from the plush motifs of woven rugs, the wildlife that emerge from Debbie Lawson’s Kent studio are camouflaged by domesticity. The artist (previously) is known for her sculptures cloaked in ornate carpets, the latest of which are on view now at Sargents Daughters for her solo exhibition Hidden Territories.
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https://www.thisiscolossal.com/2024/02/debbie-lawson-hidden-territories/
Yulia Iosilzon’s Paintings Transform an Ancient Flood Narrative Into an Elegant Observance of Renewal

The Book of Genesis, which is thought to have been written around the 5th century B.C.E. and influenced by much earlier Mesopotamian myths, contains four chapters that chronicle an earthshaking deluge. The story goes that God destroyed what he saw as a world that had become violent and corrupt, singling out one man, Noah, and instructing him to build an ark. Bringing animals to safety and a new existence, the vessel protected the chosen few from masses of water that eliminated all other living creatures on Earth. More
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https://www.thisiscolossal.com/2024/02/yulia-iosilzon-heavens-chambers/
Aurélie Hoegy’s Surging Rattan Forms Oscillate Between Interior Design and Sculpture

Paris-based artist Aurélie Hoegy expertly conjures a seamless vacillation between movement, material, and environment within her dynamic rattan sculptures. Unrelenting ebbs and flows emanate through each form, akin to the beguiling dance of ocean waves. Wild Fibers is a series in which Hoegy harnesses the strength and malleability of the material, inviting a dialogue between gesture and object.
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https://www.thisiscolossal.com/2024/02/aurelie-hoegy-wild-fibers/
Tavares Strachan Reimagines ‘The Last Supper’ in a Monumental Tribute to Black Historical Figures

From a satellite orbiting Earth for seven years in celebration of Robert Henry Lawrence, Jr., the first Black astronaut, to a pulsing neon human skeleton that illuminates Rosalind Franklin’s contributions to the field of science, Tavares Strachan embraces technology and experimental processes to reframe historic narratives.
Royal Academy of Arts opened Entangled Pasts 1768-now. Art, Colonialism and Change, a large-scale survey of works by British art historical giants like J.M.W. More
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https://www.thisiscolossal.com/2024/02/tavares-strachan-the-first-supper/
Sydnie Jimenez’s Striking Ceramic Sculptures Celebrate Individual Expression and Diverse Communities

In museums or galleries, artist Sydnie Jimenez never saw figurative sculpture that looked like her or that felt relatable. Taking inspiration from her surroundings where she grew up in north Georgia, then Chicago where she attended the School of the Art Institute, she discovered a love for ceramics as a way to celebrate Black and brown bodies and express individuality, agency, and empathy in a way she didn’t see in art history.
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https://www.thisiscolossal.com/2024/02/sydnie-jimenez-sculptures/
Grace Gillespie’s Vibrant Linocut Prints of Flowers and Foliage Tap Into Her Artistic Roots

Grace Gillespie grew up in an artistic household, but she resisted pursuing visual art at first, especially printmaking, because it was something both of her parents excelled at. “I guess I wanted my own ‘thing,’” she tells Colossal, which for most of her twenties was music. Then, during the pandemic, she found herself furloughed, disillusioned with the music industry, and back at her parents’ home in Devon, England.
Sarah Gillespie. More
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https://www.thisiscolossal.com/2024/02/grace-gillespie-prints/
‘Contemporary Art Underground’ Celebrates How MTA Art & Design Builds a Modern Museum for New York City

British artist David Hockney famously quipped, “Art has to move you and design does not, unless it’s a good design for a bus.” Contemporary Art Underground, a forthcoming book from Phaidon posits that these two facets of visual culture are a match made to move us indeed.
MTA Art & Design for over 30 years, along with deputy director Cheryl Hageman, the volume showcases more than 100 permanent installations undertaken between 2015 and 2023. More
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Colossal + Domestika: Develop Your Skills and Learn New Ceramic Techniques through Online Courses
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Does anyone else miss art school? The sweet smell of invasive ceramic dust, the satisfying scrape of fresh charcoal across a giant sheet of Strathmore, the mortifying class-wide critique of your meager attempt at drawing a poorly-lit vase that you really should have spent more time on but you were partying all night at Avery’s “performative art sequence” at that creepy abandoned carwash. Except for that last part, which definitely never happened to anyone on our staff, we love art education. More
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Bring a Dish to Pass: ‘Potluck’ at Hashimoto Contemporary Relishes the Joy of Gathering

At Hashimoto Contemporary’s Los Angeles gallery, there’s more than enough to go around. Nearly 50 artists have contributed to Potluck, a group exhibition opening this week that celebrates the joys, comforts, and disgusts of sharing a meal.
Lou Benesch, Liz Flores, Sara Hagale, Seonna Hong, and Kate Jenkins. More
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https://www.thisiscolossal.com/2024/02/potluck-hashimoto-contemporary/
Site-Specific Kinetic Installations by Pinaffo & Pluvinage Channel Modest Materials Into Ephemeral Experiences

Marion Pinaffo and Raphaël Pluvinage, a.k.a. Pinaffo & Pluvinage, have worked together since 2015, fascinated by the physics, mechanics, and even pyrotechnics of our ever-evolving technologies. During 2023, the pair produced three major projects exploring ephemeral interactions and shifting textures. “If we were to find a common thread among the three major projects… it would be soft, blurry, and challenging-to-control materials: smoke, sand, fabric,” the duo tells Colossal. “Each time, there is a play in mastering and manipulating these materials.”
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https://www.thisiscolossal.com/2024/02/pinaffo-pluvinage-installations/
Follow Colossal on Bluesky for Daily Art and Visual Culture Updates

Although we’re not the biggest fans of social media and prefer to connect with our lovely and talented audience directly on this website, via newsletters, or in person, we’ve discovered meaningful engagement in a few of the newer social platforms like Mastodon and Threads where we can reach readers with little or no algorithmic filters.
Bluesky than any other platform created in the last few years. More
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https://www.thisiscolossal.com/2024/02/follow-colossal-on-bluesky/