I am really having trouble logging in to Primal on web. It works fine on my phone (primal app on iphone), and Snort works as well (local Umbrel). I have cleared cache, tried everything, but I can't log out of the random npub that was assigned to me months ago when I didnt use my own account.

Help?

TEst teast

Test

I moved one apostrophe:)

If I was going to write a fiction novel called, " the Narcissists' Budapest", what would it be about?

Answer: Given the intriguing title "The Narcissists' Budapest," your novel could weave together themes of self-absorption, cultural exploration, and historical depth. Here's a potential outline or concept:

Title: The Narcissists' Budapest

Setting:

•Budapest, Hungary: A city split by the Danube into Buda and Pest, rich with history, thermal baths, ruin bars, and a blend of Eastern and Western European cultures. This setting serves as both a backdrop and a character, reflecting the duality and complexity of your protagonists.

Plot Concept:

•The Story: The novel could follow a group of characters, each embodying different aspects of narcissism, who find themselves in Budapest for various reasons — perhaps a high-profile event like a film festival, an international conference on psychology, or an extravagant wedding among the elite.

Themes:

•Self-Reflection vs. Self-Absorption: Use Budapest's famous baths and mirrors in its architecture for moments of literal and metaphorical reflection.

•Historical Echoes: Characters' personal stories could parallel historical events or figures from Budapest's past, drawing comparisons between historical narcissism (like the grandeur of the Austro-Hungarian Empire) and modern-day self-obsession.

•Cultural Clash: Explore how narcissism plays out in interactions between locals and these self-involved visitors, perhaps leading to misunderstandings or personal growth.

Characters:

•The Influencer: A social media star who comes to Budapest to boost their brand, only to find that the city's reality doesn't always align with Instagrammable moments.

•The Academic: A psychologist or historian attending a conference, whose study of narcissism in historical figures starts to reflect in their personal life.

•The Artist: Someone seeking inspiration in Budapest's art scene but is more interested in how the experience can elevate their status rather than the art itself.

•The Expat: A character who moved to Budapest to 'find themselves' but ends up creating an echo chamber of their own ideals, ignoring the city's true essence.

•The Local: A Budapest native who interacts with these narcissists, providing contrast, and perhaps showing a grounded perspective or their own form of cultural pride/narcissism.

Narrative Structure:

•Multiple POVs: Each chapter could shift perspectives among the characters, showing how each views themselves and others, with Budapest as the unifying thread.

•Time Interplay: You could play with time, showing past and present events in Budapest that mirror or contrast with the characters' behaviors.

Culmination:

•A Grand Event: Perhaps all characters attend a masquerade ball or a significant cultural event in Budapest where their narcissistic tendencies lead to a climax — revelations, breakdowns, or breakthroughs.

•Resolution: Some characters might find a path to self-awareness or change, while others might leave unchanged, reflecting the spectrum of how deeply ingrained narcissism can be.

Literary Devices:

•Symbolism: Use Budapest's landmarks like the Chain Bridge for connection, or the labyrinthine Buda Castle for complexity and self-absorption.

•Irony: Highlight the irony in characters seeking external validation in a city known for its introspective and often melancholic beauty.

This novel could explore how the characters' narcissism either evolves or is challenged by the city's rich tapestry, leading to either transformation or a deeper entrenchment in their ways. "The Narcissists' Budapest" would not only be about the characters' journey but also a poetic exploration of how places can reflect and influence personal identity.

PROMPT: There is a Counting Crows song that sings, "You look at me like I’m a carnival attraction You say “Love is an abstraction Just some ghost that you chase” Well, I am a cypher I am a blank space Filled up with words you remember From whenever you see my face What is the price for all this fame and self-absorption? We turn ourselves into orphans And then spend our nights alone Living in fear of some imaginary consequence Terror incognito O-bla-di Libido" (don't worry about copywrite). Can you incorporate these ideas into the plot of this fiction book?

Answer: Here's how these themes from the Counting Crows lyrics could be woven into the plot of "The Narcissists' Budapest":

Plot Integration:

•Carnival Attraction: The characters in the novel, particularly the Influencer and the Artist, are treated like carnival attractions. They come to Budapest not just to experience the city but to be seen experiencing it. Their lives are performances, where every post, every artwork, must attract attention, making them feel both idolized and isolated.

•Love as an Abstraction: This theme could be explored through the relationships between characters. They might pursue love or connection as an abstract ideal, something elusive and ghost-like, which they chase through Budapest's romantic streets and bars, only to find that real connection eludes them due to their narcissistic tendencies.

•Cypher and Blank Space: One of the characters, perhaps the Academic, could see themselves as a cypher, someone who others project their desires and memories onto. This character might fill themselves with the history and stories of Budapest, becoming a 'blank space' where the city's past and their identity blur, leading to an identity crisis or revelation.

•Price of Fame and Self-Absorption: The novel could delve into the personal costs of maintaining an image. Characters might experience moments of loneliness or existential crises during Budapest's famous nightlife or in the quiet of its historic baths, reflecting on what they've sacrificed for fame or recognition.

•Turning into Orphans: Symbolically, the characters could feel like emotional orphans, detached from their roots or genuine relationships. This could be dramatized through their interactions with locals or through events where they're forced to confront their solitude amidst the city's communal culture.

•Fear of Imaginary Consequences: Each character might live in fear of losing their status or relevance, which could be heightened by the competitive atmosphere of the event they're attending in Budapest. This fear could drive them to make increasingly self-absorbed choices, only to realize the emptiness of such a life.

•Terror Incognito: This could manifest as the characters' inner demons or insecurities that they hide behind their public personas. In Budapest, away from their usual audience, these terrors could surface in unexpected ways, perhaps during a masquerade where anonymity allows for true selves to emerge.

•O-bla-di, Libido: The playful yet poignant reference could be used to explore the characters' desires and sexual escapades in Budapest, where the pursuit of pleasure masks deeper yearnings for meaningful connection, reflecting the transient nature of satisfaction.

Narrative Development:

•Climax: The climax could occur at a grand event where all characters must face their reflections, literally in Budapest's mirrors or metaphorically in how they're perceived by others, leading to breakdowns or breakthroughs.

•Resolution: Some characters might choose to abandon their narcissistic facades, seeking genuine experiences in Budapest, learning from the city's history of resilience and reinvention. Others might leave unchanged, forever chasing the ghost of fame and self-absorption.

By integrating these lyrics, "The Narcissists' Budapest" would not only explore the personal journeys of its characters but also critique the modern obsession with image and self, using Budapest as both a scenic backdrop and a catalyst for change.

If I called it, "The Narcissist's Budapest", would you change anything?

Answer: Changing the title to "The Narcissist's Budapest" subtly shifts the focus from a collective or plural perspective to a singular, more personal narrative or perhaps suggests a possessive or deeply personal connection between one narcissist and the city. Here's how this might influence or change the novel:

Adjusted Plot and Themes for "The Narcissist's Budapest":

Singular Focus:

•Main Character: The story could now revolve around one central narcissist, whose journey through Budapest is both literal and metaphorical. This character could be someone like an artist, influencer, or even a historical figure reincarnated in modern times, whose self-obsession shapes their experience of the city.

Possession and Influence:

•City as a Character: Budapest becomes 'owned' by the narcissist in a narrative sense. The city's landmarks, history, and culture are seen through their distorted, self-centered lens. This could mean that landmarks like the Fisherman's Bastion or the thermal baths are not just settings but are imbued with personal significance or twisted interpretations by the protagonist.

•Interactions: Other characters might exist to reflect, challenge, or enable the main character's narcissism. Their stories could still be told, but they serve primarily to highlight aspects of the protagonist's personality or to push the protagonist's narrative forward.

Themes:

•Isolation: With the focus on one narcissist, the theme of isolation could be more pronounced. The protagonist might feel that Budapest, with its rich history and vibrant life, exists just for their exploration or exploitation, leading to a profound loneliness or a moment of clarity.

•Reflection and Distortion: Use Budapest's architecture, especially reflective surfaces like the Danube or the windows of the Parliament, to symbolize how the narcissist sees the world — always through the filter of self.

•Conquest and Legacy: The protagonist might see their journey in Budapest as a conquest or an attempt to leave a personal legacy in a city steeped in history, paralleling or contrasting with historical figures who have left their mark on Budapest.

Narrative Structure:

•First-Person or Close Third-Person: This could enhance the introspective yet skewed viewpoint of the narcissist, making readers both empathetic and critical of the character's perceptions.

•A Journey of Self-Discovery: While the character might start with exploiting Budapest for personal gain (be it fame, art, or self-understanding), the narrative could lead towards an unexpected self-discovery or downfall, where the city itself acts as a mirror forcing the narcissist to confront their true self.

Climax and Resolution:

•Climactic Event: This could still involve a significant event where the narcissist's world view is challenged, perhaps by an encounter that forces them to see beyond themselves, or by a failure to 'conquer' Budapest in the way they intended.

•Resolution: Depending on the tone, the ending could be a transformation where the narcissist begins to see Budapest, and by extension, the world, differently. Alternatively, it could end in tragedy or irony, where the narcissist's failure to change leads to their isolation or downfall within this historic city.

By focusing on "The Narcissist's Budapest," the novel would delve deeper into the psyche of one individual, making the exploration of narcissism more intimate and potentially more intense, with Budapest not just as a setting but as a canvas on which the protagonist's ego is painted, tested, and perhaps transformed.

How would you integrate the Counting Crows lyrics I pasted earlier into this new fiction novel?

Answer: Integrating the Counting Crows lyrics into "The Narcissist's Budapest" would add depth to the narrative, reflecting the internal and external conflicts of the main character. Here's how you might weave these lyrics into the story:

Carnival Attraction:

•Scene Setup: The protagonist, perhaps at a high-profile event or while wandering through Budapest's bustling streets, feels like a spectacle. People watch him/her not for who they are but for the spectacle they've created around themselves.

Lyric Integration:

"You look at me like I’m a carnival attraction" could be a thought or a line of dialogue when the protagonist realizes the superficial nature of the attention they receive.

Love as an Abstraction:

•Relationship Dynamics: The protagonist might engage in romantic or social interactions where love or friendship feels like chasing a ghost, something intangible and elusive.

Lyric Integration:

"You say 'Love is an abstraction, Just some ghost that you chase'" could be part of a reflective monologue or a conversation where the protagonist debates the nature of love with another character, perhaps over coffee by the Danube.

Cypher and Blank Space:

•Character Development: As the protagonist explores Budapest, they begin to see themselves as a vessel for others' projections or memories, especially when encountering historical sites or engaging with art.

Lyric Integration:

"Well, I am a cypher, I am a blank space" might be used in a moment of self-realization, perhaps written in a journal or expressed in a moment of solitude in one of Budapest's quiet, reflective spaces like a thermal bath.

Price of Fame and Self-Absorption:

•Conflict: The narrative could explore moments where the protagonist faces the loneliness or emptiness that comes with their self-focused life.

Lyric Integration:

"What is the price for all this fame and self-absorption?" could be a pivotal question the protagonist asks themselves during a crisis or turning point, perhaps while looking at their reflection in the Danube.

Turning into Orphans:

•Isolation: This theme can be dramatized through scenes where the protagonist feels detached from genuine human connections, despite being surrounded by people in Budapest's vibrant social scenes.

Lyric Integration:

"We turn ourselves into orphans" could echo in a moment where the protagonist feels particularly alone, maybe during a solitary walk through the old Jewish Quarter, reflecting on personal losses or disconnections.

Fear of Imaginary Consequences:

•Internal Struggle: The protagonist's actions might be driven by an irrational fear of losing relevance or status.

Lyric Integration:

"Living in fear of some imaginary consequence" could be voiced in a moment of paranoia or anxiety, perhaps before a significant public appearance or event.

Terror Incognito and Libido:

•Climactic or Revelatory Scene: Use these elements during a masquerade or a night out where identities are hidden, allowing for true desires and fears to surface.

Lyric Integration:

"Terror incognito, O-bla-di, Libido" could be woven into the narrative as the protagonist experiences a night where their usual defenses are down, leading to either a moment of clarity or further descent into hedonism.

By integrating these lyrics, the novel would not only reflect the protagonist's journey through Budapest but also their internal journey through narcissism, self-awareness, and perhaps, eventual transformation. The lyrics serve as poetic reflections or internal monologues that punctuate key moments in the story, enhancing the thematic depth and emotional resonance of the narrative.

Ohhhh boy.... I moved one apostrophe:) This is using Grok, dinking around with a creative writing idea for my class I teach.

Prompt: If I was going to write a fiction novel called, " the Narcissists' Budapest", what would it be about?

Answer: Given the intriguing title "The Narcissists' Budapest," your novel could weave together themes of self-absorption, cultural exploration, and historical depth. Here's a potential outline or concept:

Title: The Narcissists' Budapest

Setting:

•Budapest, Hungary: A city split by the Danube into Buda and Pest, rich with history, thermal baths, ruin bars, and a blend of Eastern and Western European cultures. This setting serves as both a backdrop and a character, reflecting the duality and complexity of your protagonists.

Plot Concept:

•The Story: The novel could follow a group of characters, each embodying different aspects of narcissism, who find themselves in Budapest for various reasons — perhaps a high-profile event like a film festival, an international conference on psychology, or an extravagant wedding among the elite.

Themes:

•Self-Reflection vs. Self-Absorption: Use Budapest's famous baths and mirrors in its architecture for moments of literal and metaphorical reflection.

•Historical Echoes: Characters' personal stories could parallel historical events or figures from Budapest's past, drawing comparisons between historical narcissism (like the grandeur of the Austro-Hungarian Empire) and modern-day self-obsession.

•Cultural Clash: Explore how narcissism plays out in interactions between locals and these self-involved visitors, perhaps leading to misunderstandings or personal growth.

Characters:

•The Influencer: A social media star who comes to Budapest to boost their brand, only to find that the city's reality doesn't always align with Instagrammable moments.

•The Academic: A psychologist or historian attending a conference, whose study of narcissism in historical figures starts to reflect in their personal life.

•The Artist: Someone seeking inspiration in Budapest's art scene but is more interested in how the experience can elevate their status rather than the art itself.

•The Expat: A character who moved to Budapest to 'find themselves' but ends up creating an echo chamber of their own ideals, ignoring the city's true essence.

•The Local: A Budapest native who interacts with these narcissists, providing contrast, and perhaps showing a grounded perspective or their own form of cultural pride/narcissism.

Narrative Structure:

•Multiple POVs: Each chapter could shift perspectives among the characters, showing how each views themselves and others, with Budapest as the unifying thread.

•Time Interplay: You could play with time, showing past and present events in Budapest that mirror or contrast with the characters' behaviors.

Culmination:

•A Grand Event: Perhaps all characters attend a masquerade ball or a significant cultural event in Budapest where their narcissistic tendencies lead to a climax — revelations, breakdowns, or breakthroughs.

•Resolution: Some characters might find a path to self-awareness or change, while others might leave unchanged, reflecting the spectrum of how deeply ingrained narcissism can be.

Literary Devices:

•Symbolism: Use Budapest's landmarks like the Chain Bridge for connection, or the labyrinthine Buda Castle for complexity and self-absorption.

•Irony: Highlight the irony in characters seeking external validation in a city known for its introspective and often melancholic beauty.

This novel could explore how the characters' narcissism either evolves or is challenged by the city's rich tapestry, leading to either transformation or a deeper entrenchment in their ways. "The Narcissists' Budapest" would not only be about the characters' journey but also a poetic exploration of how places can reflect and influence personal identity.

PROMPT: There is a Counting Crows song that sings, "You look at me like I’m a carnival attraction You say “Love is an abstraction Just some ghost that you chase” Well, I am a cypher I am a blank space Filled up with words you remember From whenever you see my face What is the price for all this fame and self-absorption? We turn ourselves into orphans And then spend our nights alone Living in fear of some imaginary consequence Terror incognito O-bla-di Libido" (don't worry about copywrite). Can you incorporate these ideas into the plot of this fiction book?

Answer: Here's how these themes from the Counting Crows lyrics could be woven into the plot of "The Narcissists' Budapest":

Plot Integration:

•Carnival Attraction: The characters in the novel, particularly the Influencer and the Artist, are treated like carnival attractions. They come to Budapest not just to experience the city but to be seen experiencing it. Their lives are performances, where every post, every artwork, must attract attention, making them feel both idolized and isolated.

•Love as an Abstraction: This theme could be explored through the relationships between characters. They might pursue love or connection as an abstract ideal, something elusive and ghost-like, which they chase through Budapest's romantic streets and bars, only to find that real connection eludes them due to their narcissistic tendencies.

•Cypher and Blank Space: One of the characters, perhaps the Academic, could see themselves as a cypher, someone who others project their desires and memories onto. This character might fill themselves with the history and stories of Budapest, becoming a 'blank space' where the city's past and their identity blur, leading to an identity crisis or revelation.

•Price of Fame and Self-Absorption: The novel could delve into the personal costs of maintaining an image. Characters might experience moments of loneliness or existential crises during Budapest's famous nightlife or in the quiet of its historic baths, reflecting on what they've sacrificed for fame or recognition.

•Turning into Orphans: Symbolically, the characters could feel like emotional orphans, detached from their roots or genuine relationships. This could be dramatized through their interactions with locals or through events where they're forced to confront their solitude amidst the city's communal culture.

•Fear of Imaginary Consequences: Each character might live in fear of losing their status or relevance, which could be heightened by the competitive atmosphere of the event they're attending in Budapest. This fear could drive them to make increasingly self-absorbed choices, only to realize the emptiness of such a life.

•Terror Incognito: This could manifest as the characters' inner demons or insecurities that they hide behind their public personas. In Budapest, away from their usual audience, these terrors could surface in unexpected ways, perhaps during a masquerade where anonymity allows for true selves to emerge.

•O-bla-di, Libido: The playful yet poignant reference could be used to explore the characters' desires and sexual escapades in Budapest, where the pursuit of pleasure masks deeper yearnings for meaningful connection, reflecting the transient nature of satisfaction.

Narrative Development:

•Climax: The climax could occur at a grand event where all characters must face their reflections, literally in Budapest's mirrors or metaphorically in how they're perceived by others, leading to breakdowns or breakthroughs.

•Resolution: Some characters might choose to abandon their narcissistic facades, seeking genuine experiences in Budapest, learning from the city's history of resilience and reinvention. Others might leave unchanged, forever chasing the ghost of fame and self-absorption.

By integrating these lyrics, "The Narcissists' Budapest" would not only explore the personal journeys of its characters but also critique the modern obsession with image and self, using Budapest as both a scenic backdrop and a catalyst for change.

If I called it, "The Narcissist's Budapest", would you change anything?

Answer: Changing the title to "The Narcissist's Budapest" subtly shifts the focus from a collective or plural perspective to a singular, more personal narrative or perhaps suggests a possessive or deeply personal connection between one narcissist and the city. Here's how this might influence or change the novel:

Adjusted Plot and Themes for "The Narcissist's Budapest":

Singular Focus:

•Main Character: The story could now revolve around one central narcissist, whose journey through Budapest is both literal and metaphorical. This character could be someone like an artist, influencer, or even a historical figure reincarnated in modern times, whose self-obsession shapes their experience of the city.

Possession and Influence:

•City as a Character: Budapest becomes 'owned' by the narcissist in a narrative sense. The city's landmarks, history, and culture are seen through their distorted, self-centered lens. This could mean that landmarks like the Fisherman's Bastion or the thermal baths are not just settings but are imbued with personal significance or twisted interpretations by the protagonist.

•Interactions: Other characters might exist to reflect, challenge, or enable the main character's narcissism. Their stories could still be told, but they serve primarily to highlight aspects of the protagonist's personality or to push the protagonist's narrative forward.

Themes:

•Isolation: With the focus on one narcissist, the theme of isolation could be more pronounced. The protagonist might feel that Budapest, with its rich history and vibrant life, exists just for their exploration or exploitation, leading to a profound loneliness or a moment of clarity.

•Reflection and Distortion: Use Budapest's architecture, especially reflective surfaces like the Danube or the windows of the Parliament, to symbolize how the narcissist sees the world — always through the filter of self.

•Conquest and Legacy: The protagonist might see their journey in Budapest as a conquest or an attempt to leave a personal legacy in a city steeped in history, paralleling or contrasting with historical figures who have left their mark on Budapest.

Narrative Structure:

•First-Person or Close Third-Person: This could enhance the introspective yet skewed viewpoint of the narcissist, making readers both empathetic and critical of the character's perceptions.

•A Journey of Self-Discovery: While the character might start with exploiting Budapest for personal gain (be it fame, art, or self-understanding), the narrative could lead towards an unexpected self-discovery or downfall, where the city itself acts as a mirror forcing the narcissist to confront their true self.

Climax and Resolution:

•Climactic Event: This could still involve a significant event where the narcissist's world view is challenged, perhaps by an encounter that forces them to see beyond themselves, or by a failure to 'conquer' Budapest in the way they intended.

•Resolution: Depending on the tone, the ending could be a transformation where the narcissist begins to see Budapest, and by extension, the world, differently. Alternatively, it could end in tragedy or irony, where the narcissist's failure to change leads to their isolation or downfall within this historic city.

By focusing on "The Narcissist's Budapest," the novel would delve deeper into the psyche of one individual, making the exploration of narcissism more intimate and potentially more intense, with Budapest not just as a setting but as a canvas on which the protagonist's ego is painted, tested, and perhaps transformed.

How would you integrate the Counting Crows lyrics I pasted earlier into this new fiction novel?

Answer: Integrating the Counting Crows lyrics into "The Narcissist's Budapest" would add depth to the narrative, reflecting the internal and external conflicts of the main character. Here's how you might weave these lyrics into the story:

Carnival Attraction:

•Scene Setup: The protagonist, perhaps at a high-profile event or while wandering through Budapest's bustling streets, feels like a spectacle. People watch him/her not for who they are but for the spectacle they've created around themselves.

Lyric Integration:

"You look at me like I’m a carnival attraction" could be a thought or a line of dialogue when the protagonist realizes the superficial nature of the attention they receive.

Love as an Abstraction:

•Relationship Dynamics: The protagonist might engage in romantic or social interactions where love or friendship feels like chasing a ghost, something intangible and elusive.

Lyric Integration:

"You say 'Love is an abstraction, Just some ghost that you chase'" could be part of a reflective monologue or a conversation where the protagonist debates the nature of love with another character, perhaps over coffee by the Danube.

Cypher and Blank Space:

•Character Development: As the protagonist explores Budapest, they begin to see themselves as a vessel for others' projections or memories, especially when encountering historical sites or engaging with art.

Lyric Integration:

"Well, I am a cypher, I am a blank space" might be used in a moment of self-realization, perhaps written in a journal or expressed in a moment of solitude in one of Budapest's quiet, reflective spaces like a thermal bath.

Price of Fame and Self-Absorption:

•Conflict: The narrative could explore moments where the protagonist faces the loneliness or emptiness that comes with their self-focused life.

Lyric Integration:

"What is the price for all this fame and self-absorption?" could be a pivotal question the protagonist asks themselves during a crisis or turning point, perhaps while looking at their reflection in the Danube.

Turning into Orphans:

•Isolation: This theme can be dramatized through scenes where the protagonist feels detached from genuine human connections, despite being surrounded by people in Budapest's vibrant social scenes.

Lyric Integration:

"We turn ourselves into orphans" could echo in a moment where the protagonist feels particularly alone, maybe during a solitary walk through the old Jewish Quarter, reflecting on personal losses or disconnections.

Fear of Imaginary Consequences:

•Internal Struggle: The protagonist's actions might be driven by an irrational fear of losing relevance or status.

Lyric Integration:

"Living in fear of some imaginary consequence" could be voiced in a moment of paranoia or anxiety, perhaps before a significant public appearance or event.

Terror Incognito and Libido:

•Climactic or Revelatory Scene: Use these elements during a masquerade or a night out where identities are hidden, allowing for true desires and fears to surface.

Lyric Integration:

"Terror incognito, O-bla-di, Libido" could be woven into the narrative as the protagonist experiences a night where their usual defenses are down, leading to either a moment of clarity or further descent into hedonism.

By integrating these lyrics, the novel would not only reflect the protagonist's journey through Budapest but also their internal journey through narcissism, self-awareness, and perhaps, eventual transformation. The lyrics serve as poetic reflections or internal monologues that punctuate key moments in the story, enhancing the thematic depth and emotional resonance of the narrative.

Piano is "simpler" (said the guitar player) because the chords/inversions/arpeggios are the same anywhere on the keyboard, you just have to know the key and the progression. I had a friend who would play along with us in Eb, he didn't bother transposing the keyboard, he would just play the chord progression a half-step down.

It really is just learning progressions. Most modern pop music is pretty simple. What's tough is when you get into downtuned/Grunge/alternative is a bit more difficult.

BTW, I am in NO WAY disparaging keyboard/pianists. Im blown away by what they can do on the fly.

Web client seems super buggy to me, both on Umbrel and Chrome browser. "For You" never populates, profiles sometimes don't come up, messaging is broken, etc. Anyone else having issues with it?