The real world has gotten so strange that writing fiction almost feels more serious at this point.
About half of the macro stuff is on autopilot anyway, because nothing stops that train.
nostr:note1lc0exkkeys9e03qt0vya8wnezcwc6y2nchx3xwawvskhrxwc4qrsh8eev4
only half?
if you read George Friedman and Sarah Paine you might think it's a lot more than half
https://youtu.be/YcVSgYz5SJ8?si=lniaosFXNC2UWfMf
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