A bit more info (since I ran out of space) - Squire's overdriven bass is super clear and defined on this. Anderson is clear enough that you can really hear the space he was singing in. Bruford's drums are really impactful, including a bunch of secondary percussion that's not always obvious. Wakeman's keyboards sound like there's a bit of tape saturation every so often (especially on Cans and Brahms). And of course, Howe's overdubbed guitars are pretty prominent...