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ShiftyMcTwizz
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Someone come brew my coffee for me. I lack the gumption

I'm very much not ready for this week to start. Kids got me up, gonna coffee it momentarily. GM Errybuddy

I found that menu, but it looked like that would have the effect of always blocking. Basically I don't want to unfollow everyone, but it would be cool to scroll through content that WASNT 75% Bitcoin centric once in a while

Is it possible in Amethyst to make a feed that has certain words blacklisted, if I don't want to globally block them?

Yeah I figured qr or maybe even NFC if I can talk my employer into it. I could even have the volunteers use the system, but I think I would need to make a custom client for it that doesn't allow adding outside relays or something.

So I work on a farm that serves a community food pantry. I've been thinking of running a local relay to serve as a kind of inventory/crop progress journal/time tracking. Hypothetical workflow of take a picture and post a new note when a plot is planted. Then progress pictures on a weekly basis or whatever posted as comments to that top level note, showing growth or evidence of weeding or general health observations, etc.

And in the end it doesn't even matter

wow Tom what a realistic painting lol

Replying to Avatar Anarko

🌊 SURF 'N TURF 🏝️

-THE ISLAND LIFE-

Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks.

In art, performance, and literature, however, grotesque may also refer to something that simultaneously invokes an audience feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, itself originally from the Italian grottesca (literally "of a cave" from the Italian grotta, 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteent century and subsequently imitated.

The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time le Grotte ('the caves'). These 'caves' were in fact rooms and corridors of the Domus Aurea, the unfinished palace complex started by Nero after the Great Fire of Rome in AD 64, which had become overgrown and buried, until they were broken into again, mostly from above.

Spreading from Italian to the other European languages, the term was long used largely interchangeably with arabesque and moresque for types of decorative patterns using curving foliage elements. Rémi Astruc has argued that although there is an immense variety of motifs and figures, the three main tropes of the grotesque are doubleness, hybridity an metamorphosis.

Beyond the current understanding of the grotesque as an aesthetic category, he demonstrated how the grotesque functions as a fundamental existential experience. Moreover, Astruc identifies the grotesque as a crucial, and potentially universal, anthropological device that societies have used to conceptualize alterity and change.

In Michelangelo's Medici Chapel Giovanni da Udine composed during 1532-1533 "most beautiful sprays of foliage, rosettes and other ornaments in stucco and gold" in the coffers and "'sprays of foliage, birds, masks and figures", with a result that did not please Pope Clement VIl Medici, however, nor Giorgio Vasari, who whitewashed the grotesque decor in 1556.

Counter Reformation writers on the arts, notably Cardinal Gabriele Paleotti, bishop of Bologna turned upon the grottesque with a rigtheous vegeance.

Credits Goes to the respective

Author ✍️/ Photographer📸

🐇 🕳️

#Bitcoin #Satoshis #Freedom #Apocalypse #Music #Movies #Philosophy #Literature

#dogstr

Why dont you name the author and photographer in your credits?

Is this a more accurate translation?