and it is a lot of gear but it's part of the vision honestly, like i said...
i want to make this album
and then i want to create like live music videos in the middle of kenya which are half live shows half nature documentaries with synths blasting in to the masai mara 😅
so yeah
there is a vision!
lol one of the businesses is a digital agency which now has a music consultancy 🫠
this is 90% of my time. i run several businesses which i'm trying to offload and this is what i want to spend my time and life mastering
yup thats it. i record in to a tp-7... same thing...
From going down that rabbit hole, Overbridge applies compression... It has to – the Digitakt II as one example has 16 stereo channels at 24bit 48khz over USB 2... 🤔
well...
no! 😂
my process has been a lot of trial and error – getting back in to music after years away...
now I sequence EVERYTHING live on the Push 3 in standalone. I run loops on the Elektron boxes too.
Everything runs in to a Model1 which is a mindblowingly cool mixer that's kind of closer to a Sherman Filterbank than a mixer. It sculpts the sound, 100% analog signal path. I also have hardware sends from that to reverb and delay (OTO Bim and OTO Bam)
And then at the moment I record everything to audio. And that becomes my demo.
I'm gonna spend the next 3 months doing that. Zero judgement on the output. Just freely creating these moments and demos.
And then I'm gonna shortlist an 'album' and finish those tracks in Live.
I did start using Overbridge until I discovered how much better everything sounds out of the analog outs versus over USB and Overbridge. The gear sounds WAY cooler out of the analog outs... So... Yeah.
No Overbridge for me, and I started from a point of thinking Overbridge was the answer to all of life's problems...
it's amazing how fucked drinking is.
i didn't have a 'problem' either
i just fell in to stopping and life got better
i found god
which is fucking weird in itself. not something i was seeking, and about as cliche as you can get with not drinking, god squad etc. but my point is.
drinking destroys your connection to the universe and your higher self 🌌
nah those are actually all ITB ... my reason for the GAS is i wanna make stuff with zero commercial intent that sounds real and expensive... like how Random Access Memories sounds expensive. I want people to hear its quality but be confused by the fact that its not trying to do anything commercial... that's the goal anyway. the things bitcoin allows us to pursue!
now i have my head wrapped around like... what i like each instrument for... i just reach out for them when i feel like using them. i try and avoid the temptation of using everything on everything... its an exercise in mastery for me. i just keep at it every day and its amazing how much it just all clicks together with time. just simply by struggling with them and using them you'll eventually find yourself knowing when to use them
yeah i'm literally using the A4 right this second. I love it for leads... arpeggios.... radioheady kinda droney atmospherey stuff and then automating the fx sends is where it comes in to itself for me...
the digitone is where my gas has gone too far. everyone says its like the best synth ever (the II) ... it hasn't clicked. i hope it does. i love fm stuff. i used to do synthwave stuff the whole time...
like this... https://www.youtube.com/watch?v=Yufr9SJ_qSY is me...
... and here too
yeah i'm literally using the A4 right this second. I love it for leads... arpeggios.... radioheady kinda droney atmospherey stuff and then automating the fx sends is where it comes in to itself for me...
the digitone is where my gas has gone too far. everyone says its like the best synth ever (the II) ... it hasn't clicked. i hope it does. i love fm stuff. i used to do synthwave stuff the whole time...
like this... https://www.youtube.com/watch?v=Yufr9SJ_qSY is me...
i've read stuff along those lines too, and there are drum presets on the a4. what's the point. the rytm is much more immediate and much more fun for drums. you read all sorts of nonsense in these forums, mostly its cope i've come to the conclude. The A4 as capable as it is would be very fiddly for doing what the Rytm does without blinking. You have 4 channels on the A4 obviously, so you're limited to four sounds unless you use p-locks to change patches etc... I've never bothered to be honest, but I do have gas and a proliferation of drum machines 😂
i found the a4 much less immediate. the rytm i got really quickly actually. the rytm stands on its own better. you can take it away and jam with it on its own...
yeeeeeaaah........ someone better call the gas man 😂
the minimoog was it.
i hope.
ah man the a4... it took me a while for it to click but i LOVE it...
I am not buying any more gear anymore btw! 🫠