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GLACA
18f54af1e10c5bb7a35468b0f62b295d12347903c9f95738d065c84bef1402ef
I AM THE ORIGINAL REVOLTA. Original band Sweet Noise. Current project MTvoid with Justin Chancellor of Tool. I make NOISE and experimental art - NOISE INC. Sovereign Human Being. On NOSTR since 835520 #relaythat Pronouns : npub/nsec Check my noise experimental project : https://wavlake.com/noise-inc- My visual notes: https://glaca.npub.pro

Also him and almost his whole future crew is pro-Israeli ultimate, fast solution of "Hamas problem" so yeah expect a way bloodier and way faster genocide by nazi Israel. So many republicans bribed by Israel lobby. With that being said US is screwed from right and from the left. Tragic political situation to be honest.

23 years of TOOL Lateralus, what’s your favorite track?

Mine : Parabola

#toolband #nosrtart #nostrmusic

This MUST be a bad joke.

nostr:note1mrasyj7ruayhxyzf8a59dgpjaqqrg92s243srzay3rnnre3weyfqqehsay

Replying to Avatar GLACA

The Clean Cut Blade: My Most Extreme Contemporary Noise Album

The Clean Cut Blade is my most extreme contemporary noise album that I've created. It was a conscious decision made at the peak of my popularity in the traditional heavy music scene. As a band, we mostly created linear songs, and I always felt there were more ways to express my artistic views, feelings, and deep emotions. I felt confined within a formula I wanted to break, and this album was the direct effect of working with different mediums, machines, instruments, software, and hardware devices.

At one point, my gear was running non-stop for a week. I took short breaks to sleep and rest a little, and would wake up to tweak a little more. The entire session was recorded continuously for a week. I reached the edge of my mental capabilities and decided it was enough. The material then awaited an editing session, which was a unique and challenging process. Unsure of how to approach it, I asked a friend for some movie recommendations to inspire me. He sent me some amazing old black-and-white Japanese samurai movies.

I watched these movies multiple times, muting their audio and playing my recordings underneath. This process inspired me to cut the recordings into pieces and get titles for the songs. The movies had a direct impact on the final album. Eventually, I decided to publish the album to see how far I could take my artistic freedom while still being treated seriously as an artist.

I posted the album on archive.org as a great experiment. As expected, both public fans and media were not ready for it at all. Many people thought it was garbage or that I was making fun of them, but it was a serious and deeply personal work. It remains my most underappreciated work, with no serious reviews to this day. Despite this, I still love it and am excited to share it on a new platform today.

Important Note: For everyone who wants to listen to this, please be very conservative with the level of sound as you operate through the album. The levels here are very surprising, and the sound is very extreme. If you put your gear at full volume, it might harm your speakers. Please be careful as it is an extreme audio work.

#noiseart #glitchart #noiseinc

https://wavlake.com/album/198b9e90-d9ab-483e-aeca-05a8c50edc1f

Original archive org upload : https://archive.org/details/NOISEINC001

Thank you. It was a trip. I was coming from "traditional hard core" scene and I put work to get the new direction and I thought that people who like this noise scene and also create within have to have open minds. The album despise the hate made big number of downloads on archive.org /19000/. To my surprise the noise scene was totally rejecting me and hating just because I was a "known artist". Stupid fucks it only gave promotion to the whole genre.

We are witnessing war and conflict aimed at controlling the cyberspace, information and digital resources.

nostr:note1cm6s7p7fcedkfl44raacu7ypngyfyr6fxpttxsxvmu4gpfew0tnsxajdcj

My bad. Thor Onion Electrum addresses are not supported any longer. There were some time ago.

I always thought of it as cleansing of my brain of all the bullshit. Come clean through NOISE.

Hard to listen sometimes but not every art form is supposed to be easy.

The Clean Cut Blade: My Most Extreme Contemporary Noise Album

The Clean Cut Blade is my most extreme contemporary noise album that I've created. It was a conscious decision made at the peak of my popularity in the traditional heavy music scene. As a band, we mostly created linear songs, and I always felt there were more ways to express my artistic views, feelings, and deep emotions. I felt confined within a formula I wanted to break, and this album was the direct effect of working with different mediums, machines, instruments, software, and hardware devices.

At one point, my gear was running non-stop for a week. I took short breaks to sleep and rest a little, and would wake up to tweak a little more. The entire session was recorded continuously for a week. I reached the edge of my mental capabilities and decided it was enough. The material then awaited an editing session, which was a unique and challenging process. Unsure of how to approach it, I asked a friend for some movie recommendations to inspire me. He sent me some amazing old black-and-white Japanese samurai movies.

I watched these movies multiple times, muting their audio and playing my recordings underneath. This process inspired me to cut the recordings into pieces and get titles for the songs. The movies had a direct impact on the final album. Eventually, I decided to publish the album to see how far I could take my artistic freedom while still being treated seriously as an artist.

I posted the album on archive.org as a great experiment. As expected, both public fans and media were not ready for it at all. Many people thought it was garbage or that I was making fun of them, but it was a serious and deeply personal work. It remains my most underappreciated work, with no serious reviews to this day. Despite this, I still love it and am excited to share it on a new platform today.

Important Note: For everyone who wants to listen to this, please be very conservative with the level of sound as you operate through the album. The levels here are very surprising, and the sound is very extreme. If you put your gear at full volume, it might harm your speakers. Please be careful as it is an extreme audio work.

#noiseart #glitchart #noiseinc

https://wavlake.com/album/198b9e90-d9ab-483e-aeca-05a8c50edc1f

Never, ever stop learning.

Never stop asking questions.

Never takes things for granted as they may change in a blink of an eye.

#nostr

Replying to Avatar 7fqx

Rachel Bonch-Bruevich – 13

https://www.youtube.com/watch?v=jz2B1ZtPiV0

'Rachel Bonch-Bruevich was an amateur pianist who composed and recorded a large number of ghostly solo piano pieces in the Soviet era, leaving behind an archive of home recordings, which was found. What we don’t know are the hows, wheres and most importantly whys. There’s little indication of the audience in mind, no clues towards context, or track names or the original format. Many motifs repeat themselves within her music, slight variations on the same song structures that seem to evolve over time. But it’s the atmosphere here that’s important, the sound of an artist being at one with their private surroundings, playing like no-one is listening. '

Great. The noise in the beginning is surprising. So she was also a noise artist?

🖤it's cool. Experiments continue so all is on the track for dope content. Always exciting to have a few brewing. Thank you Ava for continues support. I always appreciate it.✊🏼