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Joe Martin ๐ŸŽถ๐ŸŸ โšก
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It's all about the song. 21st century troubadour, based in Isle of Man ๐Ÿ‡ฎ๐Ÿ‡ฒ

2026 is gonna be our year ๐Ÿ’ช

Happy new years #nostr

Very good thanks, my first tropical Christmas! Also, sent you a DM on here but don't know if it came through

Hope you had a great Christmas, just finished your audio book, really enjoyed it!

Surfing followed by Regia to rehydrate. Got to make the most before dry January ๐Ÿ˜œ

Merry Christmas #nostr ๐ŸŽ…๐ŸŒฒ

Replying to Avatar Henrik Flyman

https://henrikflyman.com/nostr/future_vs_legacy_world.webp

Lately Iโ€™ve been thinking a lot about value-for-value, Nostr, and how music might evolve outside the legacy industry. My sense is that weโ€™re going to see the old and new worlds operating side by side for a number of years, each serving different audiences, before anything fully settles into its final form.

Itโ€™s probably unrealistic to expect many established legacy artists to join this space anytime soon. The reasons are many, including long-lasting contracts, increased financial uncertainty, and limited ways to reach genuine music fans. The two worlds arenโ€™t very compatible and donโ€™t translate well into each other.

It may be far more likely to see a new class of established artists emerge entirely within the v4v universe. Their street cred would be sky-high, since it would come from genuine listener support rather than marketing budgets or corporate hype.

I think we only need a handful of real success stories before things start spreading organically. Artists who are creating because they actually have something to say are probably the first ones who will get curious about this model. They are often underserved in the legacy world.

People often point to the Radiohead โ€œpay what you wantโ€ release as a successful example of direct fan support. It was an important moment, but it does not fully translate here. Today, v4v largely relies on Bitcoin, which still limits the size of the potential support. That friction will likely decrease over time.

What could really accelerate adoption is the possibility for artists to earn meaningful income while reaching an audience that is actively looking for new, independent music. If that happens, it would not only strengthen v4v as a model, but also help onboard more people to Bitcoin itself. I think this is still early, and Iโ€™m curious to see where it goes. The potential for a bright future is definitely here.

#grownostr #wavlake #v4v #bitcoinMusic #music #deMu #valueVerse #musicstr #stemstr #value4value #musicians #tunestr #fountain #v4vmusic

I chose to fully embrace value for value because it is a direct fan to artist model. You can create the music you truly believe in, rather than trying to appease musical gatekeepers in the traditional industry. It seems that to succeeded in the current music business, you either already have to have contacts in a place of influence or already come from money. This has just been my observation over the last decade. Also, the whole industry is completely woke. Venues, labels, radios, festivals, booking agencies etc. They won't even touch you unless you fall into their group think. #V4V and #nostr is more than just a monetary upgrade for musicians. It gives the middle finger to the current industry and says, 'I'm going to make the music I want, build genuine connections with my fans who can support my career directly and there's nothing you can do about it.' So punk rock, I love it!

I think given enough time, every service will plug itself into lightning on the back end and value will flow freely between all the platforms. Until then, getting people to switch platforms to support a handful of their favourite artists is a big ask. Artists need to be educated so they can educate their audiences and demand change. Until a platform cracks the 'onboarding experience' for noobs to get sats in their wallets and zapping with one click, it's going to be hard recommending any of this to my live gig goers and legacy platform followers. Sure you feel the same

Information wants to be free. This is why #v4v is the only way

nostr:nprofile1qqsxu35yyt0mwjjh8pcz4zprhxegz69t4wr9t74vk6zne58wzh0waycpzamhxue69uhkzarvv9ejumn0wd68ytnvv9hxgtcpzemhxue69uhk2er9dchxummnw3ezumrpdejz78f205a

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Replying to Avatar Heuristic

I had this thought yesterday and went to throw it up here, spent forever writing it out on mobile and FB opened out of nowhere, somehow force closed Primal and I lost everything. I am going to remove it from my phone completely along with all other meta garbage. #fuckzuck

That being said, the thought was. I wonder if any dance music producers and DJs that have a following on nostr have ever said "where do you want me to play? Zap me to your city!"

I know myself and other artists I have been booked with, opened for etc like Stanton Warriors, JFB and so many more would play anywhere people wanted us. Like anywhere, we arent scared. I live in a country at war and come from a cartel run nightmare of a town in the 80's/90's

Realistically, Wherever people genuinely want us to be is where we truly want to perform.

Yes, money is a thing in our reality. Venue owners and promoters book artists to sell tickets (for the most part, our venue The Craft by ColYve in Cambodia is a different business model, still involves tickets though). So they can only guess what people may or may not want to see based often on extremely bias opinions and inflated social accounts.

Followers could change all that system realistically. For instance, if people wanted to see me play in Ghana, I wouldn't hesitate in the slightest (just a random thought) if there were enough zaps to get me there. I would waive my fee for one of the shows while I am there, followers choice as to where. Then I could book a tour around that area and make up my fee from other promoters.

Then people could also zap me to cities in that area of the world for cheaper.

It's a super loose thought, but I wondered if any artists have put it out there and what it looked like if they did. Zap = ticket or VIP or something. Open to any discussion.

I have no following on here as I just started, so this isn't really a question about me specifically as an artist, more in general. Thoughts?

#zapcityriot #music #zaps #zapmetoyourcity #techno #heuristic

Definitely a cool idea. Will happen one day I'm sure. Don't know if nostr is big enough yet though

Love how you can stumble across random cafรฉs with these kind of views in El Salvador ๐Ÿคฉ

A service I would pay sats for. A simple website where you could connect a URL to a QR code. There only seems to be QR code services that charge a monthly subscription. Would it not be possible to make a QR code for a one off payment, or at least an annual renewal per QR? #asknostr

You will! nostr:nprofile1qy88wumn8ghj7mn0wvhxcmmv9uq3uamnwvaz7tmwdaehgu3dwp6kytnhv4kxcmmjv3jhytnwv46z7qpqt6njrhtc9q3f5wdrwfrhpypq3kes5mpdx4u4rw9w2pxjanuxcpkq5680te can help! follow what musicians like nostr:nprofile1qythwumn8ghj7cnfw33k76twv4ezuum0vd5kzmp0qy88wumn8ghj7mn0wvhxcmmv9uqzq2x2qxdh3dy5cfdfmgkkgkt44pgpcl5ekyfs9ewtuaywukflevkvug4au3 and nostr:nprofile1qythwumn8ghj7enfd36x2u3wdehhxarj9emkjmn9qyv8wumn8ghj76rzwghxxmmjv93kcefwwdhkx6tpdsqzqn8x4w7k3k4ka87ld68fjy4guyhek5u7q7xxxnz44xll9x2229xaey775u have done. There are tons of artists on here, they just aren't active enough because most have a ton going on, of course. There's also nostr:nprofile1qyfhwumn8ghj7mn0wd68yt3cxumnwtnrdqqjgamnwvaz7tmwdaehgu3wvdhk6atwd9jxzer9vdskucmpdahx7anp9e3k7mgqyrcn8vjx7pmr8l0p4z2pxwkzwz4cw5zs9dj2jauupwkrey3grxxa5v3qv3f nostr:nprofile1qyxhwumn8ghj7mn0wvhxcmmvqyg8wumn8ghj7mn0wd68ytnvv9hxgqpq9ppwxjrqckwl4n2a7j960fjsvhn8vrggcd0h092nmq7zcgcskjfs4yl4uy nostr:nprofile1qyv8wumn8ghj7urjv4kkjatd9ec8y6tdv9kzumn9wsq3yamnwvaz7tmsw4e8qmr9wpskwtn9wvqzp7kcpd69rvpldphaney8kpdknszvsz8zdgwmv409nc8zj6junaxa3d48fy nostr:nprofile1qy2hwumn8ghj7etyv4hzumn0wd68ytnvv9hxgqtxwaehxw309anxjmr5v4ezumn0wd68ytnhd9hx2tmwwp6kyvtkx46kv7tgx3kxketnd3nhs7rrvdkxwwrxxp585ct6dpshwdmjwdexsanxw96hs7ndxfnxkd35vvmny6rswv6r2m3swc6n7cnjdaskgcmpwd6r6arjw4jsqgr98zf9a0akv86p3kx86p6tachg4lthsuqamzg8psk6jdk4w8j4cv6qcgkr nostr:nprofile1qy88wumn8ghj7mn0wvhxcmmv9uq36amnwvaz7tmwdaehgu3wvf5hgcm0d9hx2u3wwdhkx6tpdshsqgqjcsg3fkgwe5qe85srduky2ndarjajcvued5s9x0qttngr7jrv750tnfw5 --- we are a global grassroots movement! ๐Ÿ’ช Still building, too.

Things have been quiet of late. But dropping some big news next week ๐Ÿ”ฅ

Thanks Dave, just genuinely want artists to hear this message because I know how much of a struggle it is for everyone. It's just so early still

Had a blast talking with Cole about the V4V movement and how artists can take back control of their work with tools like #nostr and podcasting 2.0. Share with any artists you know who are curious about giving this new tech a try.

#grownostr #intothevalueverse #v4v #music

nostr:nevent1qqsvd0jlm7h32w6czd52s3d2nkh4n02h78vay2purds8jkf3gv98ldgpzamhxue69uhhyetvv9ujuurjd9kkzmpwdejhgtczypljv3lcp4ta2n4kmhgdny4fw4arg8k5nh2qwnx83lqpmh4ppgddjqcyqqqqqqgjes36j lnbc10u1p5x40qmpp5yst0tzqva37zs3pvlz3f78ud7y0d4vvphf5guq4ae636vg79nd9shp5hrtcydl56vru258fufljxtlkuglray53gjzney5eez8uh0dn3l3scqzpgxqyz5vqsp5edd2qjpva0gvsuvc3pfcgnn3wnsf05hq8u67n33qms6ncww6sp6s9qxpqysgquv0ep0mtrvc53ynyc07t2dm4k59naxcacuyljhrw6lu2vjkkmmehj3ekd28lv9f5npsl0ezs5pahjc6wc0spjag8k3lddr3vljx05aqqct6f3r