One of the challenges of fiction is to balance pacing between action and downtime.

My draft sci fi novel is relatively fast-paced, but doesn't push it to the limit as some of those non-stop action stories do. There are moments where characters have more "slice of life" days, or moments of emotion or contemplation, etc. Periods for the characters and reader to catch their breath before something big happens.

However, one thing I try to do is make it so that each of those slower moments serves a *double purpose*. When reading those chapters, the reader's initial takeaway is that it was for character building and so forth, and is potentially skippable. But then later in the novel, some character aspect or worldbuilding aspect revealed in each of those chapters ends up being more important than they realized at the time. Like playing chess against someone and a few of their moves seem random or unneeded, but then it comes together into a surprise checkmate where each move was indeed deliberate to help set it up. That's the goal, anyway.

One of the first-wave beta readers of my sci fi manuscript noticed this, and it was one of my favorite pieces of feedback so far. He felt some of the slower moments could be trimmed in the moment and wrote those moments down, but by the end was basically like, "nevermind, I see now, keep literally all of those."

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Have you ever play sci-fi role playing games?

Death in Space and Mothership are quite good.

Next Lyn Alden book to read. Can't wait.

I read VERY little fiction, but I can't wait to get my paws on your book...

https://m.primal.net/QZXy.webp

tbh, pacing and „rhythm“ are the issues that I assumed are the hardest for you to get right.

Yo it sounds like we’re eventually gonna get the Lyn Alden sci fi thrilla. Cannot wait

Wow! This book sounds great. I hope it's not shit when I read it. Nah, it'll be good. I'll buy it.

It might be shit.

Doing my best to make it not shit.

Wow! Is this from a professional reviewer, i.e. academic teaching creative writing?

Love the bit about emotional intelligence. Only that makes the characters relatable.

If you don’t care about a character (one way or the other) the story sinks.

Yes I tried to get people from different fields in the first wave of beta readers. This one is an author and an academic on the subject, which was helpful.

Thanks for sharing the process of sculpting the book.