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NostrNaught
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Historically From โˆช Cymru & Teuton ๐Ÿด๓ ง๓ ข๓ ท๓ ฌ๓ ณ๓ ฟ๐Ÿ‡ฆ๐Ÿ‡ฑ Genetically From โˆช Appalachia & Dixie ๐ŸŒฒ๐Ÿช• Conceived By The Force =โ˜…= Created in 9-12+ Months @ RandomLocationsNotOfMyChoosing ๐Ÿคฐ Born @ Rural SinCity, USofA ๐ŸŽฐ BittenEarlyByArtBug @ CribDiaperWallArt ๐Ÿ’ฉ Raised * RandomlyPairedLovingParents ๐Ÿ‘ฉโ€โค๏ธโ€๐Ÿ‘จ BittenEarly * #EntrepreneurBug @ SellTeachersWoodCrafts ๐Ÿชต StageAppearances @ VariousSchoolTheatricalEvents ๐ŸŽญ DevelopedArtSkills @ PencilDrawingsOfTheGreatCats ๐ŸŽจ Graduated @ CollegePrepHS w/ FocusInNoCollegeDesire ๐Ÿ—ž๏ธ Worked @ RandomPlacesThatSaidOK ๐Ÿ’ฒ Enrolled @ DiplomaUniversityCollegeOfDrafting ๐Ÿ“๐Ÿ“๐Ÿ—œ๏ธ๐Ÿ–‹๏ธ StartedDrawing @ ReallyOldVersionR12AutoCAD ๐Ÿค“๐–ฆ๐Ÿ–ฑ๏ธ StartedFirstRealJob @ TiffanysOfCivilSurveying ๐Ÿ‘ท๐Ÿ”ญ๐Ÿงญโ›“๏ธ๐Ÿ“๐ŸŒ StudiedMicrostation&Caice3D @ OJT-Surveying ๐Ÿ’ช MovedOverseas2Volunteer @ 3WaterWellsForThirstyAfrica ๐Ÿคฒ๐Ÿ’ง๐ŸŒ MovedBackTo @ MiddleAmericanContinent ๐ŸŒŽ ReturnedToCorporateWurk @ TiffanysOfCivilDrafting ๐Ÿ“๐Ÿ˜๏ธ๐Ÿšง๐Ÿ›ฃ๏ธ๐Ÿž๏ธ BoughtFirstHome @ HeightOf2007HousingMarket ๐Ÿ“ˆ๐Ÿ ๏ธŽ GotSchooled By Life&Foreclosure&2008MarketCrash ๐Ÿ“‰ ๐Ÿš๏ธ๐Ÿ’ธ Mastered10,000Hours @ LDT/Civil3D/AutoCAD โฆป๐–ฆ๐Ÿ‡จ3๏ธโƒฃ๐Ÿ‡ฉโ˜ฉโ–ณ WorkedLongestStint @ 7-YearCivilEngineeringDrafting ๐Ÿ• ๐Ÿ• ๐Ÿ• StruckByLightning @ SellRandomStuffOnAmazon โšก๐Ÿค‘ Volunteered @ HurricaneKatrinaHomeRebuild&ShedHomes4Haiti ๐Ÿคฒ Worked @ 36+MoreRandomPlacesThatMildlyInterestedMe ๐Ÿœ๏ธ BittenByTheLandBug @ 2RandomLotsInGA ๐Ÿ“œ๐Ÿ‘‘แจ’ SmackedByDeath&Taxes @ 2RandomLotsInGA โ˜ ๐Ÿ•ธ OtherFeats @ LessRandomPlaces Quit @ AFewPlacesWhileMakingUpMyMindAboutWhatIsImportant Bought 13 Bitcoins @ $750 โ‚ฟ Sold 12.Something Bitcoins @ $751 โ‚ฟ CriedReallyHardInADarkRoom @ 10-YearsLater ๐Ÿ˜ญ Discovered @ WorkThatHourlyJobsAreCommoditized ๐ŸŒฝ๐ŸŒพโณ๐Ÿ•๐Ÿ’ธ PickedMyHard @ OJT-OTR-OMGTIH-Trucking โ›Ÿ๐Ÿšซ๐Ÿ…ฟ๏ธ LearningSlowly @ BitcoinNostrPickletaria โ‚ฟ๐“…ฆ ๐Ÿฅ’ RelayingZanyHumor @ AmethystAmberWaydroidNixOS ๊ฉœ๐Ÿคช๊ฉœ ShortlistingNewApps + GetSafeBox.app โœ… Spacing out on the enterwebs! I finally figured out how to use this nostr stuff. (Still learning...)

I'm certain there's at least a bunch of remote exploration junk, at least one dead human body and other "evidence" left up there. If we're gonna treat the Apollo missions as "staged", I think they staged it all the way... They at least tried to appear Honest back then... The exploration junk is leftovers from our nascient robotics programs and used to assess human viability in deep space... The dead body is so they can say "Man on the moon" with a straight face... The other "evidence" was placed carefully to keep the talkers talking and to identify and silence the squawkers... Grissom burned alive, Armstrong buried at sea, etc, etc... The deep state is nothing more than the collection physocological/physchiactric pruners of government which have discovered each other through their common ascent up the mountain of god and have learned to not act as inquisitors and interrogators as their predecessors did in historical times, but in this complex religious cult that we call Americanism, they rather act as gray shepherds and dark prophets...

You better be paying him enough to "defend" you. ๐Ÿ˜

OK. Thank you for explaining... So that's, $14.60 per year to put into bitcoin, right? ๐Ÿ˜

I'm guessing that Netflix is not fully integrated into the Censorship-Commercial-Industrial Complex...

Of course they would and they'll even prosecute you for their attrocities... I have proof, but the question is, can you handle the proofth? Most people have inured themselves with half-truths like "the government is here to protect us" or "the police will enforce the law" or "I'm good, I'm not a criminal" or "a lawyer will defend me in court"... ALL half-lies by definition! They will assault and batter you in the middle of the night because the darkness is where they operate best. I've survived their brutality. Will you be able to say the same?

Replying to Avatar Biro Bela

What does this "fork" button do?

The old days of Radio DJs have a LOT to say about Free Speech, copyright and fair use. This is one reason radio is being ignored, mothballed and auctioned off to the highest corporate bidders. The Corporments and Govorations are doing their best to transition ALL media into one giant digital track for tracking and propaganda analytical purposes. They will slowly kill TV, radio and any other broadcast method that does not flow through their chainlink filter fence... It starts with listening posts, number stations and "foreign policy" and it ALL ends with you, me and the fencepost where the fence post is an IoT fence post and you and I are no longer people, but rather government intelligence informants playing cat and mouse with each other to see how much higher we can each respectively climb in this false pyramidal paradigm of "state secrets"...

Replying to Avatar NostrNaught

DJs are Transition Masters... I used to tag along with my friend who was a weekend radio DJ when we were kids... He would explain the tempo transition, the cuts and fades, the fair use, the novelty introduced by the radio annoucer (DJ). He would demonstrate the queing of the song media, the events annoucements and the prize giveaways... His radio station had just transitioned to DAT tapes which impressed him. The songs had to play ON TIME or the cumulative time error would build up and sometimes he had to bump a song and play a different length or additional news announcement or station identifier to get the program schedule back on track. There's definitely a difference between a DJ and a playlist. The confusion your attempting to clarify lies in the novelty of a DJ'd production versus the limited perception of a smartphone user that's debating whether to hire a DJ or just press play themselves on their favorite playlist of their most favorite songs that are lined up in neat little digital rows with all tracks perfectly starting and stopping on a microsecond due to proliferation of digital music sales and the recording industry's catering to the one song per track format. In the old days, serialized tracks were novelties introduced by CDs for the purpose of enabling the skip button on Discmans and other CD players. Prior to the CD, tracks were a recording/production concept from the olden days of 8-track players which reimagined the pre-production recording track as a way to also distribute audio in parallel tracks for the purpose of listener novelty (pretending to "select" a new song, bypassing a degraded track like the scratch on a vinyl record, etc.). In reality, the albumn was the "experience" that people desired when attention spans were attuned to patiently seeking out some entertaining gem, shiny nugget of truth or signal amongst the noise. Before CD "tracks", the songs on the albumn would wander all over the place like the needle on a bad record player. Many songs were just recordings of novel concert performances and as a result the songs not only wandered, they blend and fade into each other like an organic work of art. Those modern minds were not dogmatically structured like the postmodern consumerist mind. I dare say, simple things like tracks have coralled the postmodern mind into strictures and mental blocks that perpetuate the conditioning and further enslavement of the human mind. Anywho, the track was initially an extremely arbitrary decision to make, especially on live recordings. CDs could play through and treat the track division as just a marker like a chapter marker in an audiobook or a timestamp in a utube video. Somehow the track eventually became "the new albumn" as radio singles were released as tracks and producers realized they could make the same or greater amount of money from one song as they could from a whole albumn recording in years past. Thus the track was crowned King by the consumers and producers. Now every song track has been sanitized to start and stop on que, with no interference with the previous or next song and we ALL now walk in straight, neat little lines of sterilized entertainment while imagining ourselves to be "Disc Jockeys" because we can drag and drop prerecorded songs into differently ordered lists and press the "play" button. Nothing could be more deceptive or further from the truth. It probably fits your limited budget better and helps you avoid a littany of wannabe "DJs" for hire, who also know how to press play, but in reality, a real DJ knows how to transition your "party" into an event. Unless you know how to interview for this quality, just stick to your "play"list, because that's all you're doing... just playing around. The DJ's job is to destroy this sanitized list of endless zombie tracks of pre-recorded prior art. Rather the DJ's reason for being is to transition your event into an organically crafted artform of novel adaptations which pay homage to the prior art while sculpting an entirely new event experience which will be remembered by your audience for years to come. A concert where the instruments are barely recognized as the old lifeless tracks they were, but woven into a sonic tapestry by the conductor ermself. Maybe you ARE the DJ and I've mistaken you by your use of the word "playlist". Please excuse my naivety. I bow in deference to your sonic skills.

Remember-

"Video did not kill the radio star. The CD track did."

- Ancient Nosterian Proverb

DJs are Transition Masters... I used to tag along with my friend who was a weekend radio DJ when we were kids... He would explain the tempo transition, the cuts and fades, the fair use, the novelty introduced by the radio annoucer (DJ). He would demonstrate the queing of the song media, the events annoucements and the prize giveaways... His radio station had just transitioned to DAT tapes which impressed him. The songs had to play ON TIME or the cumulative time error would build up and sometimes he had to bump a song and play a different length or additional news announcement or station identifier to get the program schedule back on track. There's definitely a difference between a DJ and a playlist. The confusion your attempting to clarify lies in the novelty of a DJ'd production versus the limited perception of a smartphone user that's debating whether to hire a DJ or just press play themselves on their favorite playlist of their most favorite songs that are lined up in neat little digital rows with all tracks perfectly starting and stopping on a microsecond due to proliferation of digital music sales and the recording industry's catering to the one song per track format. In the old days, serialized tracks were novelties introduced by CDs for the purpose of enabling the skip button on Discmans and other CD players. Prior to the CD, tracks were a recording/production concept from the olden days of 8-track players which reimagined the pre-production recording track as a way to also distribute audio in parallel tracks for the purpose of listener novelty (pretending to "select" a new song, bypassing a degraded track like the scratch on a vinyl record, etc.). In reality, the albumn was the "experience" that people desired when attention spans were attuned to patiently seeking out some entertaining gem, shiny nugget of truth or signal amongst the noise. Before CD "tracks", the songs on the albumn would wander all over the place like the needle on a bad record player. Many songs were just recordings of novel concert performances and as a result the songs not only wandered, they blend and fade into each other like an organic work of art. Those modern minds were not dogmatically structured like the postmodern consumerist mind. I dare say, simple things like tracks have coralled the postmodern mind into strictures and mental blocks that perpetuate the conditioning and further enslavement of the human mind. Anywho, the track was initially an extremely arbitrary decision to make, especially on live recordings. CDs could play through and treat the track division as just a marker like a chapter marker in an audiobook or a timestamp in a utube video. Somehow the track eventually became "the new albumn" as radio singles were released as tracks and producers realized they could make the same or greater amount of money from one song as they could from a whole albumn recording in years past. Thus the track was crowned King by the consumers and producers. Now every song track has been sanitized to start and stop on que, with no interference with the previous or next song and we ALL now walk in straight, neat little lines of sterilized entertainment while imagining ourselves to be "Disc Jockeys" because we can drag and drop prerecorded songs into differently ordered lists and press the "play" button. Nothing could be more deceptive or further from the truth. It probably fits your limited budget better and helps you avoid a littany of wannabe "DJs" for hire, who also know how to press play, but in reality, a real DJ knows how to transition your "party" into an event. Unless you know how to interview for this quality, just stick to your "play"list, because that's all you're doing... just playing around. The DJ's job is to destroy this sanitized list of endless zombie tracks of pre-recorded prior art. Rather the DJ's reason for being is to transition your event into an organically crafted artform of novel adaptations which pay homage to the prior art while sculpting an entirely new event experience which will be remembered by your audience for years to come. A concert where the instruments are barely recognized as the old lifeless tracks they were, but woven into a sonic tapestry by the conductor ermself. Maybe you ARE the DJ and I've mistaken you by your use of the word "playlist". Please excuse my naivety. I bow in deference to your sonic skills.

Remember-

"Video did not kill the radio star. The CD track did."

- Ancient Nosterian Proverb

Replying to Avatar franzap

Very interesting

Built on https://harbor.social/

These idiots building yet another identity app

If we do it on open protocols we win

My comments "disappear" on GrayJay via polycentric "login"... Nostr seems to be more reliable... I still think it's cool when I see polycentric comments on a YouTube video knowing they can't really do anything about it...