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-THE ISLAND LIFE-

Paul Signac (French, 1863-1935)

Signac, who was both intelligent and well-read, was influenced heavily by modern theories on optics and color as well as by the work of the Impressionists, who were on the cutting edge of artistic innovation when he was a teenager and young man in the Parisian bohemian neighborhood of Montmartre.
Signac's style changed substantially as he incorporated the techniques and theories of Neo-Impressionism (also known as "Divisionism" and "Pointillism") that he developed in collaboration with Georges Seurat. The rapid, varied brushstrokes of his Impressionist style, intended to convey the effects of light on objects, were transformed into the small, roughly square points of Neo-Impressionism.

Signac, Seurat, and their fellow Neo-Impressionists began a process in Modernism of breaking down the basic components of a painting, in a way, separating color from the objects it described - an important step toward the further abstraction by later artists.
While he is best known for his paintings and well-developed preparatory sketches, Signac was also an innovator in his extensive experimentation with a variety of media, from printmaking techniques like lithography and etching to watercolor and pen-and-ink, including painstaking sketches for paintings produced in tiny dots. Regardless of the medium, he persistently created forms without relying on line, which imposed a consistent level of abstraction on all of his work.
Signac's professed admiration for Naturalism, particularly in literature as evidenced by his virtual idolizing of Émile Zola, is in some ways reflected in his art. In particular, his emphasis on the mechanics of optics and the study of color theory situates him in a generation of artists who found paths for innovation by creating a kind of scientific approach to aesthetics.

Known as "melange optique" ("optical mixture"), the method used by Signac, Seurat, and other Neo-Impressionists involved placing dots of pure color separately on the canvas and allowing the eye to mix the paint, which happened when the viewer stepped back at least a couple of feet from the painting. As the white or off-white of the canvas was not typically concealed, it was usually an integral part of the process, creating a kind of shimmering effect. With Neo-Impressionism, wrote Signac, "...the separated elements will be reconstituted into brilliantly colored lights."
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Of course. @Jor and the LITF gang are an awesome bunch of Bitcoiners, and good people. And Arnie 🧡
MC woohoo ✋ Enjoy. Hope you got some Thai welcome phrases practiced brother 🙏
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I have a black belt in Origami 😉
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-THE ISLAND LIFE-

"The more context we learn about a mystery, the more anxious we become to solve it."
7 Key Lessons from "The Science of Storytelling" by Will Storr:
1. Stories Shape Our Identity
Storr emphasizes that stories are fundamental to our identity. They influence how we perceive ourselves and our place in the world, shaping our beliefs, values, and cultural narratives.
2. The Brain is Wired for Narrative
The author explains that our brains are naturally attuned to stories. This wiring makes narratives more engaging and memorable than mere facts or data, highlighting the importance of storytelling in communication.
3. Conflict Drives Engagement
A central element of compelling stories is conflict. Storr points out that conflict creates tension and interest, motivating audiences to invest emotionally in the narrative and its characters.
4. Character Development is Crucial
Storr discusses the significance of well-developed characters. Relatable and complex characters draw readers in, allowing them to connect emotionally and become more invested in the story's outcome.
5. Emotional Resonance is Key
The book highlights that emotional resonance is vital for effective storytelling. Stories that evoke strong emotions—whether joy, sadness, or fear—tend to be more impactful and memorable.
6. Structure Matters
Storr outlines the importance of story structure. A clear beginning, middle, and end, along with well-placed twists and resolutions, help maintain audience engagement and provide a satisfying narrative arc.
7. Stories Influence Behavior
the author notes that stories have the power to influence behavior. They can inspire change, shape opinions, and motivate action, making storytelling a powerful tool in various fields, from marketing to leadership.
These lessons provide valuable insights into the mechanics of storytelling, illustrating how narratives can profoundly affect our understanding of ourselves and the world around us.
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-THE ISLAND LIFE-

"Holes" is a beloved young adult novel by Louis Sachar, first published in 1998. The story follows Stanley Yelnats IV, a fourteen-year-old boy who is wrongfully accused of stealing a pair of sneakers and is sent to a juvenile detention center called Camp Green Lake. Ironically, the camp is located in a dry, desolate area where there is no lake, and the boys are forced to dig holes as a form of punishment and supposed character building.
The narrative intertwines Stanley's present-day experiences at Camp Green Lake with flashbacks to his family's history, particularly a curse that has plagued the Yelnats family for generations, starting with his great-great-grandfather. As Stanley digs holes day after day, he begins to uncover not only the truth about the camp and its mysterious warden but also secrets about his own family's past.
The novel is rich with themes of friendship, perseverance, and redemption. Stanley forms a close bond with another camper, Zero, who is initially seen as an outcast. Their friendship becomes central to the story, highlighting the importance of loyalty and support in overcoming adversity.
"Holes" has received widespread acclaim, winning the Newbery Medal and the National Book Award. It is praised for its complex plot, character development, and the way it weaves together multiple storylines. The book's blend of humor and serious themes makes it accessible and engaging for readers of all ages. In 2003, a film adaptation was released, further popularizing the story and its characters.
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Yes absolutely 💯. I have had to make a very conscious choice to separate musicians political stances from their music. And actors from their films etc Neil Young Bruce Springsteen et al... Love the music 🎶...have to forgive their mistakes. 🧡
Welcome Adriel. You have a wonderful eye for the camera 📸. Great shots 👍
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-THE ISLAND LIFE-

In 1967, The Doors were invited to perform on The Ed Sullivan Show, a popular television program that introduced millions of Americans to rock music.
The band was scheduled to perform their hit single “Light My Fire.” However, the producers requested that Morrison change the lyric “girl, we couldn’t get much higher” to something less suggestive. Morrison agreed but ultimately sang the original lyrics during the live broadcast, resulting in backlash from the show’s producers.
Morrison’s defiance made headlines and symbolized the rebellious spirit of The Doors and the counterculture movement. The performance was intense and captivating, and Morrison’s refusal to conform to the network’s demands became a defining moment in his career. Following the incident, The Doors were banned from performing on The Ed Sullivan Show again, but the performance left an indelible mark on pop culture.

For Jim Morrison, the Ed Sullivan performance solidified his reputation as a rebellious icon unafraid to challenge authority. His defiance resonated with young fans and underscored his commitment to artistic authenticity. The incident remains one of the most memorable moments in rock history, exemplifying Morrison’s status as a symbol of nonconformity.
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Chit is a legend, and an all-round great guy 🧡.
Makes awesome beer 🍻 too.
The Lanna style architecture of Northern Thailand is very special 💕
Belated Happy Birthday 🎂. Beautiful lady with great talent 🥳
Very beautiful 🧡 The medium is watercolour is that correct?
Suay mak mak loey 🙏
She is a real sweetheart, and her brother Amigo is on security duty already, chasing the chickens away from the fence.

This is my girl named Cypher, just 4 months old. American/European.









